tag:blogger.com,1999:blog-52516997068685011652024-03-14T15:15:13.085+08:00Maya Kavanagh - Australian Film BlogUnknownnoreply@blogger.comBlogger194125tag:blogger.com,1999:blog-5251699706868501165.post-26034998563540359712017-02-22T00:06:00.004+08:002017-02-22T00:07:16.555+08:00Auteurship and NarrativeCame across this from my studies at RMIT the other day. An interesting little read on the subject of establishing a director's auteur status and what qualifies the term.<br />
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Auteurship and
Narrative – Week 7 Reading - 8 September 2009<o:p></o:p></div>
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Maya Kavanagh<span style="mso-tab-count: 8;"> </span><span style="mso-spacerun: yes;"> </span><br />
<span style="mso-spacerun: yes;"></span>s3196744<o:p></o:p></div>
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<div class="MsoNormal">
Since the beginning of this course, we have been encouraged
to accept the viewpoints of various auteur critics such as Bazin and Sarris as
the gospel truth with rarely an alternative provided. That is until this week
when we were introduced to Pauline Kael.<span style="mso-spacerun: yes;">
</span>Not only were Kael’s critical observations of the cinema considered "witty,
biting, highly opinionated, and sharply focused", they were also written
by a woman, a fact I was most pleased with. For too long I have felt that the
cinematic world has been overshadowed by the dominating presence of the
masculine empire and here finally, we have been introduced to a woman who is
equally ferocious about her opinions about film as her male counterparts. In
this weeks reading, Kael criticizes Sarris’ previous observations about what
makes a director an auteur, referring specifically to what Sarris calls “the
three premises of the film theory”. In the first section of her essay <i style="mso-bidi-font-style: normal;">Circles and Squares, Joys and Sarris</i> in
her highly acclaimed book <i style="mso-bidi-font-style: normal;">I lost it at
the movies</i>, Kael explicitly criticizes Sarris’ belief that “a great
director has to be at least a good director”. Kael explains that this statement
is a rule that cannot be applied to the declaration of a director’s auteur
status claiming, “the director MUST be judged on the basis of what HE
produces”. This means that in relation to other directors, a director cannot be
considered an auteur but, when his works are compared to each other, then and
only then can one distinguish whether or not he is “a great director”. This
ties in with the idea of the second and third premise which is for a director
to further be considered an auteur, his work must reflect a personal style, and
that the director’s personality itself is embodied within the film. When
comparing say Jacques Demy’s <i style="mso-bidi-font-style: normal;">Les</i> <i style="mso-bidi-font-style: normal;">Parapluies de Cherbourg, for example, </i>to
say Michael Scorsese’s <i style="mso-bidi-font-style: normal;">Goodfellas</i>,
one can not concretely ascertain that Demy is a better director than Scorsese
as both directors choose to work within different genres and approach different
topics. However, when we compare Demy’s <i style="mso-bidi-font-style: normal;">Parapluies</i>
to his other film <i style="mso-bidi-font-style: normal;">Lola</i>, we can see
the similarities in style and expression which Sarris states are necessary for
a director to be deemed an auteur. Therefore, Kael’s observation that an
auteur’s status cannot merely be ascertained based on this principle alone is
correct. Demy’s status as an auteur can only be proved when we compare his
previous films to one another to determine whether or not he has imbedded a
particular style and attitude into his work.<o:p></o:p></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5251699706868501165.post-8046760434615946282016-11-08T22:26:00.003+08:002016-11-10T19:20:08.464+08:00BAFTA and British Film Council - SHORT SIGHTED LONDON<div class="MsoNormal">
<div class="MsoNormal">
<a href="http://www.bafta.org/">BAFTA</a> and the <a href="http://film.britishcouncil.org/">British Film Council</a> in association with
<a href="https://shootingpeople.org/home">Shooting People</a> recently hosted <a href="http://www.bafta.org/whats-on/short-sighted-londond">SHORT SIGHTED</a>, a highly insightful all-day seminar I
attend November 5 about marketing and distributing your short film. I can’t
even begin to tell you how informative the event was with a number of high
profile filmmakers, sales agents, distributors, programmers, and creatives invited
to speak. In the event that you can't be bothered reading my notes from each
segment (I strongly suggest you don't do that) you can scroll to the bottom to
read a quick summary of the major takeaways I gathered from all the attendees:<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b>In Conversation with Jordan McGarry – <a href="http://filmlondon.org.uk/">Film London</a></b><o:p></o:p></div>
<div class="MsoNormal">
Jordan McGarry, Head of Talent Development and Production at
Film London and former Director of Curation at <a href="http://vimeo.com/">Vimeo</a>, gave her perspective on
short film commissioning and distribution and the exciting opportunities for
short film today. Jordan’s interview was an excellent way to kick start
the seminar, providing a number of helpful tips for how to get your short film
noticed online. Here is a summary of the key points:<o:p></o:p></div>
<ul style="margin-top: 0in;" type="disc">
<li class="MsoNormal" style="mso-list: l3 level1 lfo1; tab-stops: list .5in;">Identify
your core audience and be specific; don’t generalise (i.e. women aged 18
to 40). Then identify where that audience hangs out online. For example,
16-20 year olds are more likely to watch the film on YouTube than Vimeo.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l3 level1 lfo1; tab-stops: list .5in;">Create
a user account on Vimeo and interact with other filmmakers by liking and
commenting on their films. Identify filmmakers who have similar styles and
tastes to your own and reach out to them.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l3 level1 lfo1; tab-stops: list .5in;">To get
your film noticed by Vimeo staff members, who select the Vimeo Staff Picks
each week, make sure your film gets at least 13 likes.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l3 level1 lfo1; tab-stops: list .5in;">Having
a catchy thumbnail and logline will help your film standout.<o:p></o:p></li>
</ul>
<div class="MsoNormal">
<b><br /></b>
<b>Shorts Programming</b><o:p></o:p></div>
<div class="MsoNormal">
Katie Metcalfe, Shorts Programmer at <a href="http://www.sundance.org/festivals/sundance-film-festival">Sundance Film Festival</a><br />
Anna Bogutskaya, Festival Producer, <a href="http://www.underwirefestival.com/">Underwire Film Festival</a><br />
Johanna Brooks, Producer, <a href="http://shortfilms.org.uk/">London Short Film Festival</a> <o:p></o:p></div>
<div class="MsoNormal">
Hosted by Will Massa, Senior Programme Manager at British
Council Film<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Will Massa did a brilliant job dissecting the role of
festival programmers with three fantastic panelists. The discussion focused on
what programmers look for in short films and the selection process of each
festival.<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
The panel were generous in revealing the intricate details
of each of their festival’s selection processes. As a start, they provided the
following statistics: <o:p></o:p></div>
<ul style="margin-top: 0in;" type="disc">
<li class="MsoNormal" style="mso-list: l6 level1 lfo2; tab-stops: list .5in;">Sundance:
9000 submissions; 71 selected.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l6 level1 lfo2; tab-stops: list .5in;">Underwire:
800 submissions; 80 selected.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l6 level1 lfo2; tab-stops: list .5in;">LSFF:
2000 submissions; 350 selected.<o:p></o:p></li>
</ul>
<div class="MsoNormal">
To cope with the sheer number of submissions received each
year, this is the process for each festival:<o:p></o:p></div>
<ul style="margin-top: 0in;" type="disc">
<li class="MsoNormal" style="mso-list: l9 level1 lfo3; tab-stops: list .5in;">Sundance:
8 programmers and 2 directors split the submissions equally and watch
every film submitted. Once this is whittled down to about 300 films, the
team meet in LA over 4 days to discuss the collection. Of the 71 selected,
50% have to be from the US which leaves roughly 35 spots for international
shorts. Katie was quite funny in pointing out this means that you have a
0.007% of being selected!<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l9 level1 lfo3; tab-stops: list .5in;">Underwire:
10 – 15 preselection team members. Program by craft. Anna directs the
overall program.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l9 level1 lfo3; tab-stops: list .5in;">LSFF:
Preselection team of 4. Festival Director Philip Ilson watches every
film and directs his team to review the sub selection he makes. Together,
they work on whittling it down further.<o:p></o:p></li>
</ul>
<div class="MsoNormal">
Knowing how to stand out in your application is crucial to
getting noticed by these selection panels. Here are some tips they provided on
how to do this:<o:p></o:p></div>
<ul style="margin-top: 0in;" type="disc">
<li class="MsoNormal" style="mso-list: l7 level1 lfo4; tab-stops: list .5in;">Bold,
surprising, risk-taking films will catch the attention of the committees -
something that invigorates or subverts the genre.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l7 level1 lfo4; tab-stops: list .5in;">Clichés
are a huge turn off – hands running through corn fields, alarm clocks
going off, a shaky drag of a cigarette – are all too common in short
films. Google classic short film clichés and avoid them.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l7 level1 lfo4; tab-stops: list .5in;">Don’t
send anything but the film. Gimmicky packaging, personalised gifts, and
fancy letters go unnoticed and are usually thrown away.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l7 level1 lfo4; tab-stops: list .5in;">Put
something of yourself into the cover letter. Showing the panel your
personality helps them get a better sense of the kind of filmmaker you
are.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l7 level1 lfo4; tab-stops: list .5in;">The
length of your film is crucial for assisting selection panels determine where
a film will fit into their program. For the most part, films between 10 to
12 minutes are ideal but shorter films (3 minutes and under) and longer
films (over 20 minutes) are also helpful as standalone pieces. 3 minute
films are great for screening before a feature.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l7 level1 lfo4; tab-stops: list .5in;">Submitting
your film at the beginning or end of the submissions period makes no
difference to getting your film noticed though submitting earlier rather
than later is helpful from a budgetary perspective to avoid higher fees.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l7 level1 lfo4; tab-stops: list .5in;">Meet
with filmmakers who have had a number of short films screened
internationally and find out why their films did so well.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l7 level1 lfo4; tab-stops: list .5in;">Sundance
are happy to receive rough cuts and all panellists noted that there is a
way to update your online screener after the submissions period has closed
as long as the link submitted does not change.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l7 level1 lfo4; tab-stops: list .5in;">All
films submitted will first be watched on a laptop. Be mindful of this and
address it in your cover letter.<o:p></o:p></li>
</ul>
<div class="MsoNormal">
An interesting point all three panellists agreed on was the
fact that sometimes a film can be great but it just does not fit into the
festival’s program that year. This is obviously upsetting but at the same time,
it’s heartening to know the programmers would help out any filmmakers who fell
into this category. Sundance also has a new strand of their programming that
will take films that don’t fit into the program and screen them to industry
members at the festival.<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b><br /></b>
<b>Filmmaker Spotlight</b><o:p></o:p></div>
<div class="MsoNormal">
Nina Gantz, director of Edmond<br />
Emilie Jouffrey, producer of Edmond<br />
Toby Fell-Holden, director, Balcony<br />
Ali Mansuri, producer, Balcony<o:p></o:p></div>
<div class="MsoNormal">
Hosted by Briony Hanson, Director at British Council Film<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Hearing from two very successful filmmaking teams about
their festival journeys was incredibly insightful. Here is a brief rundown of
each project’s festival successes:<o:p></o:p></div>
<ul style="margin-top: 0in;" type="disc">
<li class="MsoNormal" style="mso-list: l5 level1 lfo5; tab-stops: list .5in;"><a href="https://vimeo.com/169090417">Edmond</a>: BAFTA and Sundance
award-winning short animation. Nominated for awards at Edinburgh
International Film Festival, Busho, BIFA, and SXSW.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l5 level1 lfo5; tab-stops: list .5in;"><a href="http://www.balconyshortfilm.com/">Balcony</a>:
Won Crystal Bear at Berlinale. Won further awards at Alpinale European
Film Festival, Bermuda, Calgary, Dinard, Film London, Flickerfest, Iris,
Short Shorts Asia, Torino, and Urbanworld. Nominated for awards at BIFA,
Busan, Leeds, Tribeca, and UK Film Festival. <o:p></o:p></li>
</ul>
<div class="MsoNormal">
I feel like a need a breath after that. Needless to say,
these guys know their stuff when it comes to the festival circuit. Here are the
key points from their discussion:<o:p></o:p></div>
<ul style="margin-top: 0in;" type="disc">
<li class="MsoNormal" style="mso-list: l1 level1 lfo6; tab-stops: list .5in;">Short
films need to question something. Once you have the answer, there’s
usually no point asking the question again in a feature format unless
there’s more to be said (very philosophical response to adapting short
films into features).<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l1 level1 lfo6; tab-stops: list .5in;">Find
out from successful short filmmakers why their films were so successful at
festivals.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l1 level1 lfo6; tab-stops: list .5in;">If
your film is selected by one of the bigger festivals (Sundance, Tribeca,
Berlinale, etc) attendance is essential to meeting agents and producers
who may be interested in working with you on your other projects.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l1 level1 lfo6; tab-stops: list .5in;">Prepare
postcards with details about the film’s screening and information about
the filmmakers.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l1 level1 lfo6; tab-stops: list .5in;">Invest
money and time into your marketing tools BEFORE you make the film:
websites and social media are great tools for generating an audience
before the film is finished; discussions with your stills photographer
about the poster will make your life a hell of a lot easier than trying to
make a screenshot work; and most importantly, work on your logline until
it’s a product of sheer genius – it’s the biggest drawcard.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l1 level1 lfo6; tab-stops: list .5in;">Having
a niche audience helps getting into festivals and gives smaller, more
concentrated audiences a reason to invest in your as filmmakers.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l1 level1 lfo6; tab-stops: list .5in;">Hiring
a casting director can be make or break for a film<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l1 level1 lfo6; tab-stops: list .5in;">Hiring
a festival manager is a costly and unnecessary exercise most of the time.
It’s important filmmakers understand the process and going through the
rigmarole of entering films into festivals at least 3 times before palming
it off to someone else.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l1 level1 lfo6; tab-stops: list .5in;">Winning
awards is life-changing. It’s a stamp of approval and tells the industry
you’re one to watch.<o:p></o:p></li>
</ul>
<div class="MsoNormal">
<b><br /></b>
<b>Anatomy of a Sale</b><o:p></o:p></div>
<div class="MsoNormal">
Speakers included:<o:p></o:p></div>
<div class="MsoNormal">
Chris Tidman, Vice President of Global Acquisitions at
<a href="http://www.shortsinternational.com/">Shorts International</a><br />
Emma Simpson, Company Manager, <a href="https://www.journeyman.tv/">Journeyman Pictures</a><br />
Rebecca Wolff, Producer, <i>Grasp the Nettle Films</i><br />
Hosted by Will Massa, Senior Programme Manager at British Council Film<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
If you’ve never used a sales agent for your short film
before, this will convince you to get one. The role of the sales agent in
selling short films is crucial for getting your film further exposed not just
to a wider audience but also the wider industry. Interestingly, the panel
include a sales agent who works with fictional shorts and another who works
with factual. Here are some of the key points from the session:<o:p></o:p></div>
<ul style="margin-top: 0in;" type="disc">
<li class="MsoNormal" style="mso-list: l0 level1 lfo7; tab-stops: list .5in;">Sales
agents attend major festivals to scout for talent. The major ones not to
miss include Clermont-Ferrand, Krokow, Cannes, Palm Springs, Tribeca,
Sundance as well as the TV festivals like MIPCOM.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo7; tab-stops: list .5in;">Broadcasters
look at short films as short content – it’s just another way of marketing
your film.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo7; tab-stops: list .5in;">The
best short film for fiction is 12 minutes – it’s easy to program for
broadcast and other platforms. The best length for non-fiction is usually
25 minutes.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo7; tab-stops: list .5in;">Factual
short films are great for shows like Panorama, the ten o’clock news,
Foreign Correspondent in Australia, and other current affairs programs.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo7; tab-stops: list .5in;">They
are also popular with The Guardian, The Daily Mail (don’t worry, Emma
cringed as well), and YouTube who will pay good money to license your
content. Emma’s company has connections with over 6,000 buyers – that’s a
fantastic network to access!<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo7; tab-stops: list .5in;">Having
something people want to buy has considerable weight for feature
filmmakers. It helps to brand yourself which increases your chance of
having your films bought again in the future.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo7; tab-stops: list .5in;">Short
film sales are getting tougher as the broadcast and theatrical markets
shift away from traditional models: in saying that, there is still a
market, just with different requirements and criteria.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo7; tab-stops: list .5in;">Films
that make it into festivals aren’t considered commercial and have a hard
time getting sold. This is usually due to the fact that they’re too
abstract for commercial audiences. Films that are commercial AND get into
festivals are golden tickets. E.g Chris had a short film that was
nominated for an Oscar that earned nearly $40k.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo7; tab-stops: list .5in;">Films
with major budgets don’t always make big sales. Vice versa, films with
small budgets can sometimes sell really well.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo7; tab-stops: list .5in;">The
best time to engage with a sales company is when the film is post
production. Sometimes withholding your film’s premiere status for sales is
more lucrative than holding it for festivals. It all depends what your
goals are. <o:p></o:p></li>
</ul>
<div class="MsoNormal">
<b><br /></b>
<b>Digital</b><o:p></o:p></div>
<div class="MsoNormal">
Speakers included:<o:p></o:p></div>
<div class="MsoNormal">
Sarah Tierney, Founder and CEO of <a href="https://www.wearecolony.com/">We Are Colony</a><br />
Gavin Humphries, Executive Producer at <a href="https://www.nowness.com/">NOWNESS</a><o:p></o:p></div>
<div class="MsoNormal">
Hosted by Jemma Desai, Film Programme Manager at British
Council Film<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
It’s a dilemma faced by every filmmaker: the film is
finished, had it’s premiere, and done it’s festival run. Now what? Sarah and
Gavin discussed what’s possible in the new digital age for short film
distribution online and some of the key things filmmakers can do to increase
their chances of successful launches online. Here is a summary:<o:p></o:p></div>
<ul style="margin-top: 0in;" type="disc">
<li class="MsoNormal" style="mso-list: l2 level1 lfo8; tab-stops: list .5in;">Nowness
is an online global channel for short films and art, design, fashion and
creative videos. The channel is a major destination for industry members
looking for that next big thing.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l2 level1 lfo8; tab-stops: list .5in;">60% of
their traffic is generated by social media. Most of the time, hits are
attracted by the cast attached to the film, then the title, then the
logline. <o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l2 level1 lfo8; tab-stops: list .5in;">We Are
Colony is a newer platform which features strong talent and genre with
outstanding filmmakers or cast attached. They currently have a number of
short films online starring Benedict Cumberbatch, Michael Fassbender,
Martin Freeman, Felicity Jones, Ben Whishaw, Judi Dench, and lots more.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l2 level1 lfo8; tab-stops: list .5in;">For
Sarah, a laurel isn't going to tip them over the edge when it comes to
acqiuring a short. The date of the film's release is also not crucial -
the short with Felicity Jones was completed over 2 years' ago. In saying
that, both companies prefer films that are new.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l2 level1 lfo8; tab-stops: list .5in;">Both
companies prefer short films that 'haven't been vomited all over the
internet' for obvious reasons. This is why it's important to fully
consider all the options for your film's release before your put it
online.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l2 level1 lfo8; tab-stops: list .5in;">Be
ambitious with your distribution strategy. You are more likely to be noticed
by industry members, you have to work out how to be heard above the noise.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l2 level1 lfo8; tab-stops: list .5in;">Both
platforms offer a central destination for your film's online premiere with
a better environment for viewers than YouTube or Vimeo. <o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l2 level1 lfo8; tab-stops: list .5in;">Here
is a breakdown of each company's major benefits:<o:p></o:p></li>
<ul style="margin-top: 0in;" type="circle">
<li class="MsoNormal" style="mso-list: l2 level2 lfo8; tab-stops: list 1.0in;">Nowness:<o:p></o:p></li>
<ul style="margin-top: 0in;" type="square">
<li class="MsoNormal" style="mso-list: l2 level3 lfo8; tab-stops: list 1.5in;">Having
short films showcased on their platform can be a great entry point for
people who want a career in commercials due to the type of audience they
attract. <o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l2 level3 lfo8; tab-stops: list 1.5in;">The
company programs quite far in advance so if possible, you should engage
with them as soon as possible so they can coordinate your premiere at a
time that matches what they're looking for. <o:p></o:p></li>
</ul>
<li class="MsoNormal" style="mso-list: l2 level2 lfo8; tab-stops: list 1.0in;">We
Are Colony:<o:p></o:p></li>
<ul style="margin-top: 0in;" type="square">
<li class="MsoNormal" style="mso-list: l2 level3 lfo8; tab-stops: list 1.5in;">The
company is extremely flexible when it comes to quality, within reason.
They have short films on their platform that were shot with
iPhones. <o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l2 level3 lfo8; tab-stops: list 1.5in;">They
tend to establish a wide footprint for the film and don't geoblock where
possible. <o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l2 level3 lfo8; tab-stops: list 1.5in;">Offer
a 70/30 split to filmmakers over a rolling 24-month license. <o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l2 level3 lfo8; tab-stops: list 1.5in;">Asia
goes bananas for their content.<o:p></o:p></li>
</ul>
</ul>
</ul>
<div class="MsoNormal">
<b><br /></b>
<b>Shorts in Cinemas</b><o:p></o:p></div>
<div class="MsoNormal">
Speakers included:<o:p></o:p></div>
<div class="MsoNormal">
Afolabi Kuti, Producer, Home<o:p></o:p></div>
<div class="MsoNormal">
Peter Middleton, Director, Notes on Blindness<o:p></o:p></div>
<div class="MsoNormal">
Hosted by Jemma Desai, Film Programme Manager, British
Council Film<o:p></o:p></div>
<div class="MsoNormal">
<br />
The final session of the day was attended by two filmmakers who's short films
had considerable success beyond the festival circuit and theatrical screenings
across the UK. Afolabi's 'Home' had it's theatrical premiere at Picturehouse
Cinemas whilst Peter's 'Notes on Blindness', a VR project, was distributed
theatrically by Curzon cinemas. Here's what they had to say about getting your
short film into cinemas:<o:p></o:p></div>
<ul style="margin-top: 0in;" type="disc">
<li class="MsoNormal" style="mso-list: l4 level1 lfo9; tab-stops: list .5in;">Not
trying to make money out of your theatrical screenings is a huge plus to
exhibitors. If you offer your film for free, they're more likely to screen
it before one of their features.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l4 level1 lfo9; tab-stops: list .5in;">Length
is crucial - a film that's too long and pushes out their program for the
night won't work. Generally speaking, a film between <o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l4 level1 lfo9; tab-stops: list .5in;">Festivals
didn't care about cast but the exhibitors did. Afo attributes his film's
success to the fact that Jack O'Connell's Money Monster was released a few
months before they started shopping around to exhibitors. <o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l4 level1 lfo9; tab-stops: list .5in;">Motion
Picture Solutions were integral in getting 'Home' into 70 screenings
across the UK.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l4 level1 lfo9; tab-stops: list .5in;">'Notes
on Blindness' theatrical screenings were accompanied by an interactive VR
experience inside the cinema. Having something else to offer cinema-goers
was an excellent way to generate buzz about the screenings.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l4 level1 lfo9; tab-stops: list .5in;">Timing
was everything when it came to getting both films into cinemas. As
mentioned, Jack O'Connell's appearance in 'Money Monster' helped Afo sell
the film to Picturehouse. For Peter, the sudden interest in AR and VR
helped them get the film made and distributed. <o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l4 level1 lfo9; tab-stops: list .5in;">Having
a successful online premiere helped get exhibitors over the line. Both Afo
and Peter couldn't stress enough the importance of preserving that event
until you had the best options to choose from and investing time and
energy nailing an airtight strategy for release. </li>
</ul>
<div class="MsoNormal">
<br />
Key Takeaways:<o:p></o:p></div>
<div class="MsoNormal">
As above, if you can't read my full post, here are the key
takeaways from the event:<o:p></o:p></div>
<ul style="margin-top: 0in;" type="disc">
<li class="MsoNormal" style="mso-list: l8 level1 lfo10; tab-stops: list .5in;">Festival
screenings are extremely helpful in gaining sales and distribution but not
all the time. Commerciality has to be considered as well. <o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l8 level1 lfo10; tab-stops: list .5in;">Think
about how you are going to sell and distribute your film before you've
made it. Make your strategy as bold and as ambitious as possible to make
your film stand out.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l8 level1 lfo10; tab-stops: list .5in;">Consider
what you want to achieve with your film during post production. Do you
want to win awards or make money? Is there a way you can do both? <o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l8 level1 lfo10; tab-stops: list .5in;">Audience
as always is key. Consider who your film is for before you make it. <o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l8 level1 lfo10; tab-stops: list .5in;">The
online presence of the film is important for getting festivals, sales
agents and distributors over the line. If you can prove your film has a
preexisting audience, it'll win them over.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l8 level1 lfo10; tab-stops: list .5in;">Length
is crucial for festivals, sales agents and distributors to determine where
you film physically will fit into programs. Make this decision before
you've made the film, not after.<o:p></o:p></li>
<li class="MsoNormal" style="mso-list: l8 level1 lfo10; tab-stops: list .5in;">Meet
with or interact online with other filmmakers who have already experienced
success with short films. Learning from other people's mistakes can help
you avoid them too. <o:p></o:p></li>
</ul>
<div class="MsoNormal">
<br />
It's a shame but I really can't say that I've ever attended
anything like this in Australia. To be honest, I didn't even realise just how
many opportunities there are for short filmmakers to get their films sold and
distributed. Having companies like We Are Colony, Nowness, Journeyman Pictures,
and Shorts International based in the UK has clearly benefited the local
industry but that's not to say you can't too from Australia. Festivals are always
going to be important for short filmmakers but thinking about how to sell and
release your film will also benefit you getting noticed by industry members and
hopefully, get that next project off the ground. <o:p></o:p></div>
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Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="59" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 9"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 4"/>
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</style>Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-5251699706868501165.post-86866735448771841962015-07-13T13:29:00.000+08:002015-07-13T14:11:14.220+08:00Cannes Film Festival 2015 - Internship with Odin's Eye EntertainmentI recently attended the 2015 Cannes Film Festival undertaking an internship with Odin's Eye Entertainment and as part of my internship, produced the following report on my experiences.<br />
<br />
A good read for anyone considering attending the marketing the future:<br />
<br />
<a href="http://2.bp.blogspot.com/-_kYF_vI89wA/VaNMavNQ8YI/AAAAAAAAA8k/Mn7Od2dO3zM/s1600/IMG_1828.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="http://2.bp.blogspot.com/-_kYF_vI89wA/VaNMavNQ8YI/AAAAAAAAA8k/Mn7Od2dO3zM/s320/IMG_1828.JPG" width="305" /></a>Working with Odin’s Eye Entertainment at the Cannes Film Festival is a fantastic opportunity for any emerging producer who wants to gain a more in-depth knowledge of the international film market.
Odin's Eye Entertainment is a vertically integrated media company encompassing international film and television sales, production, distribution and marketing. For the first time this year, they were attending the market both as a sales company and a production company, representing their debut feature film, The Legend of Ben Hall.<br />
<br />
Having attended the Cannes Film Festival Market in 2013, I had a thorough understanding of the complicated and chaotic environment. I was able to perform my duties with Odin’s Eye more confidently and take advantage of my visit to develop new relationships with key stakeholders in the industry and attend networking events.<br />
<br />
My role at the market was to assist in the day-to-day operations of the stall including coordinating the schedules of the Odin’s Eye team; liaising with the screening department; and providing support to the team.<br />
<br />
One of my key responsibilities was analysing producers’ pitches before allocating them a meeting with one of our team. Having a sound understanding of Odin’s Eye’s slate, I learned quickly how to evaluate whether a project would be suitable for the company or not. I evaluated based on its financial and/or development status; the creative team attached and their filmmaking experience; and how strong the script was. I learnt how important it is for producers to understand where their film fits in to the wider market before approaching sales companies or distributors: you cannot just pitch your film to a sales agent to tick boxes. You need to do your research and make sure your film fits that company’s profile.<br />
<br />
By completing the internship, I now have a solid understanding of what films sell both nationally and internationally; what phase of development/production they need to be in to be considered by a sales company; the dos and don’ts of pitching to prospective buyers; the importance of film festivals and the effect they can have on a film’s success commercially and critically; and what options there are for producers whose film doesn’t fit the typical commercial distribution model.<br />
<br />
Odin’s Eye Founder Michael Favelle said:<br />
<br />
ScreenWest has consistently put forward high quality emerging producers for our Cannes internship program and this year was no exception. Maya was an invaluable addition to our 2015 Cannes team and I'm sure we equally benefited from the experience. Maya will no doubt become a formidable producer in years to come and we hope to have the chance to bring her projects to the world as their sales agent and or distributor.<br />
<br />
ScreenWest supported Maya to attend 2015 Cannes through the Travel Assistance - Skills Development & Exposure Fund.
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5251699706868501165.post-20296969715195015802015-06-05T23:46:00.004+08:002015-06-05T23:48:44.761+08:00Tango Underpants OnlineSo this happened agggeeesss ago and I totally forgot to write a post on it (mainly because I was too busy getting ready for Cannes, prepping our digital campaign for our next short film Library of Love, etc), but Tango Underpants IS ONLINE!!! Whilst many of you probably won't understand the significance of this event compared to all the other wonderfully amazing things that have happened with this film to date (QANTAS, Best Sexy Film at New York BeFilm Fest, Cannes Cinephiles to name a few), it is significant for me and here's why.<br />
<br />
I came on board as the film's digital manager way back when in 2012 just before our crowdfunding campaign launched. As part of our application for the program, I had to devise a digital strategy and implement it prior to, during, and post-filming. I have continued to manage all digital facets of the film since then making this my longest running commitment to date (my boyfriend and I haven't been going out quite that long yet).<br />
<br />
Over 3 years, I've managed the initial set up of our digital assets, community development, brainstormed engagement activities, sourced online content, covered major achievements, monitored online sentiments, and striven to enhance the film's online profile as much as humanly possible. To date, our Facebook page has 962 likes; our Twitter account has 234 followers; our newsletter has over 250 subscribers; our website has had over 11, 500 page views to date; and the film has garnered over 4,500 views in 4 weeks. With a very small budget (I don't think I spent more than $100 in 3 years advertising any of these platforms), and not being able to commit to this full-time due to other work, I am proud of these stats and overall, pleasantly content with the overall results.<br />
<br />
I'm sure I will never be completely finished with Tango but with our new film, Library of Love, soon to hit production, it will become less of a primary focus for me over the next few months. Working on the film as both its digital manager and production manager was an amazing experience and I have been fortunate enough to work with some of the best people in the business as a result. I'm looking forward to working with them on LoL and can't wait to see what we can all do together for a second time around.<br />
<br />
For now, here is Tango Underpants, the full short film, from YouTube.<br />
<iframe width="560" height="315" src="https://www.youtube.com/embed/2zcr7FyqI_E" frameborder="0" allowfullscreen></iframe>
<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5251699706868501165.post-91797546536360027332015-03-09T16:18:00.002+08:002015-03-09T16:18:48.395+08:00Emergence 2015: Ross Siegel, Stories Behind The Story: Reaching Your Audience in a Multi-platform Age<div>
Ross Siegel, Director of Development at Maker Studios, provided an extensive introduction to Multi Channel Merchants, companies like Maker Studios that assist up and coming YouTube stars with their brand and assist major brands understand the heavily saturated landscape that is YouTube.</div>
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Ross started out by defining that every song, video clip, short film, and 30 second cat video has a defined outlet and an audience. He explained YouTube was a virgin platform in which thousands of creators around the world produced millions of content each day from their bedrooms and living rooms at the time he came to work for FullScreen. 300 hours of content was uploaded every minute. And he was set to find opportunities for YouTube in the brand marketplace, and assist other brands in navigating the world of YouTube. His early days at YouTube, found him immersed watching thousands of YouTube videos, learning about YouTube's best practices, how to reach an audience through collaboration, and how data tells a story about how an audience behaves to teach creators about reaching their audience and working out what content they like. </div>
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Working in this new digital media became about working with the authenticity of the creator. He devoured a tonne of YouTube videos to work out what makes videos viral, then several months into his new job, there came the Harlem Shake. Thousands of Harlem Shake videos were being made and shared via YouTube every day. Hundreds of YouTube channels were creating hundreds of these videos every day during this phase. Their clients delivered funny, odd and hilarious takes of this new format. His company helped brands to get on the trend and make their own versions of the Harlem Shake. Pretty soon, celebrities started to get on this too. They had weird and interesting takes on this cult that started going all over the world. At the time, he flipped for the contagious virality of this movement and how the song and its format was inspiring creativity in groups both large and small - he started thinking - what if this Harlem Shake was a plot point that could be used to promote a series, or a new movie. The thought process had began. </div>
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At this point, his job was to link up some of the top YouTube creators of the world known as "influencers", with major entertainment brands. Huge conglomerates were now turning to major content creators to help reach audiences they couldn't reach themselves. He began to see the influence these digital YouTube creators were having in drawing loyal audience members. These people are huge stars across a variety of channels including Vine, Instagram, Facebook and Twitter. The Janoskians, for example, a Melbourne group of 6 pranksters, were mobbed in LA and landed a movie deal with Lionsgate - this is the potential of being a YouTube star.</div>
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Whilst at Fullscreen Inc, Ross teamed up with AT&T to produce "<a href="https://www.youtube.com/user/SummerBreakNetwork">Summer Break</a>", a new type of reality show taking place entirely on YouTube, Twitter, Instagram and Tumblr. 9 southern Californians were picked to chronicle their last summer before going off to college. The drama happened in real time, the storytelling structure embraced the normal social habits of these kids, and capitalised on the rapid ingestion of information by their audience. The only produced aspect was the 60 second daily wrap ups of the show. At the time, it was inventive storytelling that garnered 18m views. It generated millions of mentions on social media, gained a second season commitment, and clinched the belief for Ross that millennial stories could be reach beyond the millennial core base with the right creative structure.</div>
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Maker Studios help their creators find outlets for their content outside of YouTube. They're looking closer at these platforms to determine where the best fit is for different content created by their clients. Learning how Facebook video behaves different to YouTube. Channelling SnapChat and Vine to reach an audience in a different way to releasing a video on YouTube. MCMs are much like a talent agency for YouTube stars. They reach out for them and ask them to be a part of their network. In exchange, they'll give the stars the tools and technologies to help them grow and monetize their videos. The MCM model works by giving a % of this revenue based on the time and energy that goes into supporting that star. These days, technology makes it easy to get your content online. The flipside is its getting harder and harder to find this content. Today's audiences don't really care what the platform is but they will and always care about the content on them. Its more important than ever for storytellers to thin about what stories they want to tell but how they want them to be seen and where they are seen. Its is better to release your film in a costly theatrical release or a niche release to a targeted audience? What would a potentially viral video promoting your TV or film look like? </div>
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More and more TV executives now ask how shows will be marketed. How they will break through. As storytellers, we all need to adapt and be aware of new content distribution methods. Coming from a traditional Hollywood background, it wasn't easy for Ross to understand the revolution. But Hollywood is catching up. This year's Oscar winner, Birdman, in a lot of ways is about this sea change. In the movie, it featured a relationship between Michael Caton and Emma Stone where she is obsessed in the digital world and he is a traditional film actor. It is a combative relationship and one of the film's peak emotional moments she says "he is irrelevant" and he replies that the play he is putting on "is important to me". She stately replies "you don't matter. You're not important. Get used to it." This directly outlines the change between the traditional and digital worlds. </div>
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Ross concluded by sharing a quote from Kevin Spacey who said "our stories become richer and are becoming far more interesting when they go against the subtle order of things to achieve the unexpected". New mediums are emerging - we need to break out beyond what's comfortable for us to get our stories to reach our audiences. Somewhere there is a writer out there figuring out how to tell a story via Instagram. Ross finished in saying he hopes everyone finds power in embracing these technologies to tell their story as the opportunities are endless.</div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5251699706868501165.post-82333722938499674632015-03-09T12:12:00.004+08:002015-03-09T12:12:57.554+08:00Emergence 2015: Glenn Urquhart, Evolve Your Transmedia<b>Glenn Urquhart, GROUP CREATIVE DIRECTOR, LIFESTYLE CHANNELS - FOXTEL. Keynote: "Evolve your Transmedia"</b><br />
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While rather a difficult keynote to follow (Mr Urquhart you could win the award for most words spoken in a single minute), I did manage to write down a few key messages about producing transmedia campaigns.<br />
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Glenn promoted the simple rule of understanding the traditional conventions of literature, art, and filmmaking, so you can turn them on their head and subvert them through juxtaposition. When you understand art, you understand us, people.<br />
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As storytellers, we're writers so we should take the writers approach. Its important to experience sub cultures beyond what you normally do, live through other people, read, watch, and listen to as much as you possibly can. The ridiculous and sublime is happening everywhere around you. Inspiration is everywhere. By understanding the conventions of art, you'll understand us. When you subvert the traditional conventions, you'll produce more emotional responses.<br />
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The Grand Daddy of transmedia campaigns - the Dark Knight campaign - illustrates the power of these productions. 10 million people from over 75 countries participated in a mass alternative reality game where The Joker left his mark in public places to produce an army of followers around the world. Phone calls, emails, user generated photos, public protests for the fictional mayor Harvey Dent, interactive games, video - all were used to produce the biggest hype about the film leading up to the premiere in 2008. Glenn noted that by giving people the power to make stories with your brand, you can make it bigger success than if you had tried it yourself. This is what transmedia storytelling is about.<br />
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TVNZ produced a similar campaign for Shortland Street, a New Zealand series that normally attracts a 30% share each night. On a smaller scale, the producers had to deliver fans online content for 5 weeks during the summer break. A transmedia clue hunt was born in which content was released via social, text messages, videos, anagrams, voice calls, emails, and traditional media. 60,000 people visited the site on one day alone and 17,000 was averaged per day. When the new season launched after 5 weeks, they pulled a 53% share for first episode, an unprecedented event.<br />
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Transmedia campaigns with a dense rich story with a large fan base are generally successful. If you don't have that fan service, you need to speak to your niche. This guarantees you will get that shareability - if you can't, go for the emotional uppercut. Don't be afraid to commit, you must commit 500%. Creativity can be brought down just to being bold.<br />
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At Foxtel, Glenn discussed transmedia campaigns made for the Lifestyle Channel and Embarrassing Bodies Downunder. To launch the new show, they personified 6 ailments into The Unspeakables using music, videos, a content-rich website, toys, and other online content marketing the general principles of the show. The result was a higher than expected share for the launch of the new show when it released. As well as this, Foxtel are working on a transmedia project as part of H100 called Life in the Trenches a where a trench is built outside the opera house and participants try to find out which soldier whilst travelling from one end of the trench to the other, eventually finding out if they survived the trenches or died on the battlefield.<br />
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Glenn's speech highlighted the key important fact that when it comes to transmedia, there is no limit other than your willingness to commit to an idea and deliver the project. Budgets can be large or small. Audiences can be mass collected or niche. Either way, everyone has the opportunity to produce something unique through transmedia storytelling.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5251699706868501165.post-11182268271522676282015-03-09T12:12:00.001+08:002015-03-09T12:12:25.559+08:00Emergence 2015: Lee Hunter, Marketing Innovation @ Google<b>Lee Hunter, Head of Marketing and Innovation at Google Asia Pacific,</b> just delivered his keynote speech "Innovation at Google", an inspiring talk about the technological discoveries and projects that Google has produced in the past few years and the reasoning behind why they produced those projects.<br />
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Lee defined an important question - what is marketing innovation? Marketing innovation is thinking of ideas we can bring to our users that also support us. With Google being such a massive company, they have a relative level of conservatism they have to maintain. To assist them in this, they have an excellent attitude towards problem solving that is encouraged from the most senior of employees to their newest recruits.<br />
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YouTube and Google means different things to different people. Lee set himself a challenge to come up with a big idea and try get it off the ground in a few months from when he started at Google. He was working around adwords at the time and thought - what if you get students to upskill themselves? What if you gave student teams a couple of hundred dollars in an adwords voucher and they create a campaign for a client that/s never been on Google before? He set this idea to my superiors, they said yes and it turned into the Google Online Marketing Challenge.<br />
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Google has the attitude of "don't do it small, if you're going to do it go global as soon as you can". He spoke with professors all over the world and happily and its now gone out to about 80,000 students. All from an idea 3 months in because of the culture of innovation they have there. Google CEO and founder Larry Page was quoted in saying "If you're not doing some things that are crazy, then you are doing the wrong things." For Lee, he said its very helpful if he is being overly ambitious that he can show his employers this quote when attempting something extremely ambitious and they'll say, ok off you go.<br />
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Lee focused on 4 key areas during his speech: looking for inspiration anywhere; focusing on one real user; making it matter; and not being afraid to fail but if you do, fail fast.<br />
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<b>Look for inspiration everywhere:</b><br />
Lee discussed a very successful project created by YouTube and Google a few years ago called "Life in A Day, an idea brought to him by Tim Partridge using user generated content to produce a true reflection of life in the day on YouTube. They asked users to upload a snapshot of their day which would then be turned into a full length feature film directed by Ridley Scott. They ended up getting 5000 hours of footage to use which they then had to edit down into a 90 minute film that ended up premiering at Sundance online to millions of viewers.<br />
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An important comment Lee made was "letting others speak for you says more about us". Lee worked on a project inspired by John Butterill, a nature photographer who shared a video of him showing a bedridden woman his view as a photographer. The video inspired other photographers to do the same. and very quickly the idea took off, all without any involvement from Google. Lee said "if you tried to do that yourself, it wouldn't work. We let the story tell itself."<br />
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<b>Focus on one real user:</b><br />
Because you're dealing with a scale of billions and 100s of millions of people, you have to try to figure out the art vs science. Lee mentioned how Google try to figure out the right story to tell. The way they think about it is through the users' and magic (what the product can do and how it affects their users' lives). They want to personalise these products. Search is a hard product to market - everyone uses Google search but how do you get to those human stories. A simple advert they created for search was through a video which showed the searches one man makes during a small period in his life from going on a gap year to Paris, to meeting his girlfriend, to marrying her, to having their first child. It was an emotive product that only used content found through Google Search online.<br />
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<b>Make It Matter:</b><br />
A lot of markeitng you do wants to have a point. Lee said that at Google, they are at their most innovative when they have a big responsibility to come up with creative solutions to problems, using technology for good. GoogleX is where they push the boat out as far as possible - soon to be created breakthroughs - where they come up with a totally radical solution for difficult problem. Examples include:<br />
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<li>The self-driving car</li>
<li>Project Loon - getting the internet to people who don't currently have it, flying balloons up to space which creates a network for people who have no other way of getting to a network</li>
<li>Project Wing - tries to tackle the problem of delivery in places where the infrastructure isn't really there. </li>
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<b>Don't be afraid to fail, if you do fail fast:</b></div>
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Its all about iteration. Seeing how people react to it, seeing if we can attract more talent. Failure is only a true failure if it takes too long and you don't learn anything from it. You need to recognise, and declare your failure, figure out your mistakes and move on.<br />
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Google Glasses - people say this was released too early. Our attitude is we have learnt a lot from it. We don't think there was no set model for how you introduce this to the world. Bringing it out to the public was just another step in that iteration process. We failed but we believe we failed and learnt a lot. </div>
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<b>The Culture of Innovation in Australia:</b></div>
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Lee commented that we have really favourable conditions for entrepreneurship in this country but we have a significant feeling of fear of failure. There is a lot of great talent within Australia. As people, we are behind this idea of freedom and openness. We love technology - we are early adopters. We are behind tech entrepreneurship. There are 1500 startups across the country. But, we have a problem with tall poppies. Relatively speaking to other countries, we don't celebrate entrepreneurs. We really don't have a high tolerance for failure and we don't demand enough choice - we're very happy to accept low amount of competition. We don't support those who can't compete.</div>
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<b>What do we do?</b></div>
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Having the right culture is fundamental to innovation. The Google ideal is really powerful and can be demonstrated through a number of their projects. Its important to build culture of openness and contribution. Building communities that can participate in technological innvoation. We need to celebrate entrepreneurship and failure or at least don't have a go at those that do fail. To cap it off, Lee summarised this perfectly in saying "getting together like we are at the emergence festival is a great start." </div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5251699706868501165.post-11004944496149031712015-03-07T13:00:00.000+08:002015-03-07T13:01:02.033+08:00Launching The Angry Man Series<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-NSYeYBMXdBg/VPqFC6dP7rI/AAAAAAAAA2o/1_SGVMOXTrg/s1600/Website%2Bhomepage.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-NSYeYBMXdBg/VPqFC6dP7rI/AAAAAAAAA2o/1_SGVMOXTrg/s1600/Website%2Bhomepage.png" height="178" width="400" /></a></div>
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Its been a while since I've produced anything - 3 years to be exact - but creating The Angry Man Series has been a great way to step back into this role I love. Capping that off has been the experience of launching said series just last week March 3 2015 at 6pmWST.<br />
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The launch was always going to be a tricky event for us to manage. How many episodes do we release? Which platforms? Is there potential for return on investment if we put any money into it? Etc, etc. These decisions were based a lot on the previous outcomes of Australian web series launched recently our own gut feelings about how our audience would respond (especially important). In the end, this was the plan prior to the launch:<br />
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<li>Release all 6 episodes via YouTube, Vimeo and our website (embedded) at the same time March 3 6pmWST</li>
<li>Invite respected local media outlets to review the series before March 3</li>
<li>Email friends and family about the upcoming date and ask to assist us in sharing the Facebook page with their friends and family</li>
<li>Share branded content each day in the lead up to March 3</li>
<li>Engage with like-minded comedians and content makers on Twitter</li>
<li>Send out a press release a week before the event</li>
<li>Liaise with local organisations and filmmaking bodies to ask for assistance in sharing the Facebook page</li>
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The result? A small yet solid "opening night" reception to the series, complete with amazing positive feedback from friends and family of the cast and crew, critics' reviews, and other online comments from audience members. Since then, the series has gained more and more viewers and subscribers on YouTube and Vimeo, followers on Facebook and Twitter, and positive feedback from our audience. </div>
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The team (Meg, Aaron and I) are wrapped with how things turned out and so proud of our little team who accomplished the impossible (6 episodes in 2 days??) to produce what is turning out to be a well-rounded little show. </div>
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The Angry Man Series is available via <a href="http://www.youtube.com/playlist?list=PLLbcM2W01ePgjOjG97SacAGZMUs0bCmdy">YouTube</a>, <a href="https://vimeo.com/channels/886315">Vimeo</a> and <a href="https://www.facebook.com/TheAngryManSeries">Facebook</a>.</div>
Unknownnoreply@blogger.com0Perth WA, Australia-31.9535132 115.85704710000005-33.6775717 113.27526010000004 -30.229454699999998 118.43883410000005tag:blogger.com,1999:blog-5251699706868501165.post-89012024166868165542014-08-30T13:18:00.000+08:002014-08-30T13:26:39.530+08:00Wolf Creek 2: Australia's second attempt at freaking out the Mother CountryI'm not a particularly squeamish person. Growing up on a pig farm, I've seen my fair share of dead animals, maggots, gruesome injuries, etc. Most of the time, what really scares the crap out of me is the unexplained, those gaps in knowledge that allow the imagination to run wild (and your dreams to become nightmares). So it was going to be a hard sell for any horror film to convince me that not only was it scary/horrible/visceral but also realistic. Wolf Creek (2005), did just that for me and I swore never to watch another "true story" based on our Australian outback (a little too close to home). I changed my mind after 6 years when my boyfriend convinced me to hold his hand whilst watching Wolf Creek 2, the sequel to the original box office smash. Unfortunately, or fortunately depending on how you see it, I was very little disturbed by the new Greg McClean feature.<br />
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Wolf Creek 2 introduces yet again to that amazing spectacle of a character - Mick Taylor. Mick's been doing just fine for himself after walking away scott-free in last film and has taken up his usual hobbies of hunting pigs, trapping prey, and shooting whatever crosses his pristine Australian land (none of these are animals mind you). Yes, his fastidious attitude towards "Australian pride" is still rampant and its clear from the beginning of the film, after Mick knocks off two German backpackers, that he is not happy with the latest influx of tourists and immigrants. The second and third act follows Ryan, a young British surfer who happens to be in the wrong place at the wrong time when he attempts to rescue one of the luckless Germans escape Mick. Ryan inadvertently finds himself caught up in Mick's sick fun with the rest of the film following the two in an extravagant game of "cat and mouse" ending with Mick carefully extracting himself yet again from his wrongdoings, leaving Ryan in the lurch.<br />
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The film wouldn't be complete without tons of fake blood; hacksaws and pliers, or big brutish vehicles (this time in the form of a semi-trailer); and for this it delivers well yet too predictably for this cynical viewer. I, like many of my audience constituents, have seen enough gore and violence on YouTube and the news to be truly shocked anymore by just blood and guts. We need real horror - in-your-face, nightmarishly disturbing horror - which just wasn't there in WC2. It may have been the delay between the original and the sequel, the disturbances during production, or the addition of a new writing partner in the form of Aaron Sterns that broke the successful equation the team had so carefully developed in 2005. Either way, I wouldn't recommend this film to those who were die-hard fans of the original lusting for another round of Mick's classic lines and laughter, nor those with a faint stomach. The scene between Mick and the two Germans even managed to make this pig farmer's daughter squeal, just a little.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5251699706868501165.post-71996856248866761482014-07-28T19:10:00.000+08:002014-09-25T13:39:58.675+08:00Why the Australian government won't win the war on online piracy and copyright infringement.<br />
<a href="https://news.google.com/news?ncl=dO54wxNUIzbwTbM-FUuRxhcMkL8jM&q=piracy&lr=English&hl=en&sa=X&ei=2yHWU5LTJ4L48QWapIFA&ved=0CCEQqgIwAA">Recent reports </a>came out today speculating on the impact that Attorney General George Brandis' latest anti-piracy proposal will have on the Australian public who were recently deemed by Mumbrella to be<a href="http://mumbrella.com.au/australia-leads-way-illegal-downloads-game-thrones-219249"> "at the top of the world piracy ladder."</a> Online articles today claim the proposal will <a href="http://theconversation.com/brandis-leaked-anti-piracy-proposal-is-unrealistic-29709">"force ISPs to take steps to prevent Australians from infringing copyright"</a>, <a href="http://www.theaustralian.com.au/business/latest/brandis-wont-back-down-on-internet-piracy/story-e6frg90f-1227004389094?nk=4299c23118e475741a8f38c524e4c593">"allowing rights holders to pursue legal action to force ISPs to censor websites"</a>, and directly from the report itself, <a href="http://media.crikey.com.au/wp-content/uploads/2014/07/copyright.pdf">"provide an incentive for market participants to work together to address online copyright infringement."</a><br />
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Effectively, the Australian Governments' only resolution to the major issue of <a href="http://mumbrella.com.au/australia-leads-way-illegal-downloads-game-thrones-219249">Australia's online piracy obsession, </a>is to place a great, big, fat bandage over the whole thing. Here are my reasons why the proposal, and subsequent proposals to fight those who elicit online piracy, will fail.<br />
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<b>1.) Its too easy to pirate.</b><br />
We may not be up there<a href="http://www.akamai.com/dl/akamai/akamai-soti-q114.pdf?WT.mc_id=soti_Q114"> as the most tech-driven countries in the world</a>, but we sure know how to get around ISP blocks, slow download speeds, and blocked access to content. VPN'ing, using proxies, fake accounts, false IP's, are just some of the ways Australians are getting around that whole risk of being caught downloading illegally. Its "virtually" (pun intended) impossible to track a user's identity online these days if they don't want to be found, hence why our Attorney General has not attempted to prosecute the individuals who are responsible for online piracy and instead, go after the ISPs. <br />
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<b>2.) There is no alternative and therefore, no incentive for individuals to stop pirating.</b><br />
The biggest flaw in the proposal from Brandis is the line "provide an incentive for market participants to work together to address online copyright infringement." This should have been the only focus of the proposal and is clearly something the Australian Government has not even considered at this point, despite <a href="https://www.techdirt.com/articles/20140411/06564926879/hollywood-has-been-pressuring-australian-attorney-general-to-pressure-isps-into-being-copyright-cops.shtml">all the committee meetings and tax-payer funded Premium Skype calls with Hollywood. </a>The following infographic highlights the exact reasons why individuals download illegally and should have been what the proposal responded to:<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://1.bp.blogspot.com/-zYgBZp6ZcO0/U9YoAobSxaI/AAAAAAAAAsA/C9-C5aX5wMA/s1600/666012-news-com-au-illegal-downloads-survey-results.gif" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://1.bp.blogspot.com/-zYgBZp6ZcO0/U9YoAobSxaI/AAAAAAAAAsA/C9-C5aX5wMA/s1600/666012-news-com-au-illegal-downloads-survey-results.gif" height="360" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">http://resources0.news.com.au/images/2010/05/07/1225863/666012-news-com-au-illegal-downloads-survey-results.gif</td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
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As you can see, cost and adequate access to content are the main reasons behind why people download illegally.<br />
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Here is how we square up currently against these statements:<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/--MfkSea4SDE/U9YpIq3AAxI/AAAAAAAAAsM/GKZt_aqaKmc/s1600/Delay_AusTV.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://3.bp.blogspot.com/--MfkSea4SDE/U9YpIq3AAxI/AAAAAAAAAsM/GKZt_aqaKmc/s1600/Delay_AusTV.png" height="338" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Image courtesy of:http://reckoner.com.au/2014/07/watching-tv-in-australia-the-australian-delay-under-the-microscope/</td></tr>
</tbody></table>
<h4 style="text-align: center;">
<b>AVERAGE COST OF MOVIE TICKETS</b></h4>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-xH7LLlDwoJw/U9YpuDC4BII/AAAAAAAAAsU/A2hDxFWcfUA/s1600/cboprices.gif" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://3.bp.blogspot.com/-xH7LLlDwoJw/U9YpuDC4BII/AAAAAAAAAsU/A2hDxFWcfUA/s1600/cboprices.gif" height="231" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Image courtesy of:http://www.screenaustralia.gov.au/research/statistics/wcboprices.aspx</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://4.bp.blogspot.com/-ivoYTtuCJWY/U9YqQ6A3wpI/AAAAAAAAAsc/iqFA6m9Nmlc/s1600/Delay_AusDigital.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://4.bp.blogspot.com/-ivoYTtuCJWY/U9YqQ6A3wpI/AAAAAAAAAsc/iqFA6m9Nmlc/s1600/Delay_AusDigital.png" height="324" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Image courtesy of:http://reckoner.com.au/2014/07/watching-tv-in-australia-the-australian-delay-under-the-microscope/</td></tr>
</tbody></table>
The following infographics should also be considered in this regard as evidence of the fact that Australians are not abject to paying for their content. Rather, they just want it to be a fair playing ground and not be forced to accept the lacklustre standards the Australian media and government enforce.<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-IkdRdgcAGbw/U9YuxkAV7GI/AAAAAAAAAso/RpezSVy7rRI/s1600/illegaldownloadingaustralia.gif" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://3.bp.blogspot.com/-IkdRdgcAGbw/U9YuxkAV7GI/AAAAAAAAAso/RpezSVy7rRI/s1600/illegaldownloadingaustralia.gif" height="360" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Image courtesy of:http://www.news.com.au/technology/internet-pirates-say-theyd-pay-for-legal-downloads/story-e6frfro0-1225863187697</td></tr>
</tbody></table>
There is clearly a disconnect between what the Australian Government has proposed and what the actual purpose of an online piracy overhaul should be. Rather than trying to reserve a few million each year for the major studios, the government should be focusing on major initiatives that fulfill long term revenue raising for these companies, not short term gain. To be honest, these are the only two points that need to be considered right now. The Australian government Hollywood studios cannot expect that Australia is suddenly going to find its moral compass and magically stop downloading illegally. Nor should they expect that targeting their ISPs or those who facilitate online piracy will work either. There will always be a work around. There will always be a reason to download illegally unless, we find an alternative. I call upon Attorney General George Brandis to consider this statement and really think about what could be done to resolve this issue in the long run, not just for the term of his position in Parliament. Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5251699706868501165.post-43259375038964077052014-07-09T17:21:00.000+08:002014-08-30T13:26:39.482+08:00How To Train Your Dragon 2<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-81WqOQV9xaM/U70JYoXyoZI/AAAAAAAAAro/hC6p43CMhGE/s1600/How_to_Train_Your_Dragon_2_poster.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-81WqOQV9xaM/U70JYoXyoZI/AAAAAAAAAro/hC6p43CMhGE/s1600/How_to_Train_Your_Dragon_2_poster.jpg" height="400" width="268" /></a></div>
I may or may not have admitted this before but I am a huge fan of kids' films. Mainly because in this day and age, kids' films are no longer just for little kids. They're for big kids as well or adults as they are more commonly known, who enjoy the wonder and grandeur that only animated or CGI-heavy films seem to be able to replicate these days.<br />
<br />
How To Train Your Dragon 2 is no exception. The sequel to the epic 2010 feature starring Jay Baruchel, Gerard Butler, and Craig Ferguson directed by Chris Sanders and Dean DeBlois, has all the action, adventure, and slimy dragon spit one can imagine with many brilliant sub plots intertwined to keep both young and old interested throughout the relatively reasonable 102 minute feature.<br />
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In HTTYD2 (as Twitter likes to call it), Hiccup has developed into a more mature, knowledgeable and wise man (with the same boyish frame and broken voice). Him and his best friend Toothless, the unbelievably cute Night-Fury dragon, prefer scouring the extended lands around their hometown Berk to entering Dragon races, or fulfilling his destiny as Chief of Berk (great title). When Hiccup accidentally stumbles upon a new land complete with dragon trappers and foreign trades, he learns of a fate far worse than dragons - Drago Bludvist. A crazy and deranged individual who has learnt "how to train his dragons" to attack on command - cute! Its at this point the film takes us to a whole new level and as I say with all sequels - if you're gonna make it better, you've gotta make it bigger. In this case, Dreamworks did just that - in the form of their insanely, awesome, humongous Bewilderbeasts (aka. biggest motherf***ers known to dragon kind) and in the form of a much bigger surprise - the reveal of the Dragon Master. The Dragon Master is a character to precious to unveil to you now if you haven't yet seen the film but I will say this - you'll be so happy to finally see Hiccup fit in for a change rather than being on the outside. The film's conclusion comes in the form of a mighty battle between Drago and his army of dragons and Hiccup and his tribe, the only weak point to the film which ironically relies just as much on the dragons to further the plot as the characters in the story rely on them. Without the dragons' characterization, we suddenly lose that element of connectivity that the filmmakers have maintained throughout the whole film and its a little unnerving. Regardless, you'll still be on the edge of your seat right till the very end. <br />
<br />
I can't get over how many boxes this film ticks for me. Drama= tick. Action = tick. Tear-jerking scenes = tick tick. Comedy = tick tick tick!! You'll love to you cry and cry till you laugh - that is the beauty of DeBlois' writing. Not only that but the film encourages us to become a part of this world without the need for ridiculously clunky 3D glasses. The scenery, lighting, and attention to detail are so intricate you would think you were looking into this world through a window, not a crappy projector screen. To top it off, I really appreciate a kids' film that has an awesome moral story behind it without being sappy. In HTTYD2's case, we must learn that no matter how small we may be, we are mightier in spirit and with our courage, and our dragons, we can conquer anything.<br />
<br />
Its going to be great to see how HTTYD3 turns out. <br />
<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5251699706868501165.post-32628433228585674702014-03-22T14:46:00.002+08:002014-08-30T13:26:39.469+08:00MAKING FILMS AND BABIES - How our female film and TV professionals are juggling two of life’s greatest milestones.<div class="MsoNormal" style="text-align: left;">
<span lang="EN-US">A recent WA Women In Film and TV (WIFT)/
Film and Television Institute (FTI) seminar sparked a number of important
discussions, mainly the representation of women in the film and television
industry and the causes behind the dire statistics. </span>As a background, here are just a few of the
important stats you need to be aware of as a female (and male) film and
television professional:</div>
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</div>
<ul>
<li><span style="text-indent: -18pt;">Only four
women have ever been nominated for Best Director: </span><a href="http://en.wikipedia.org/wiki/Lina_Wertm%C3%BCller" style="text-indent: -18pt;" title="Lina Wertmüller">Lina
Wertmüller</a><span style="text-indent: -18pt;"> for </span><i style="text-indent: -18pt;"><a href="http://en.wikipedia.org/wiki/Seven_Beauties" title="Seven Beauties">Seven
Beauties</a></i><span style="text-indent: -18pt;"> (1976), </span><a href="http://en.wikipedia.org/wiki/Jane_Campion" style="text-indent: -18pt;" title="Jane Campion">Jane
Campion</a><span style="text-indent: -18pt;"> for </span><i style="text-indent: -18pt;"><a href="http://en.wikipedia.org/wiki/The_Piano_(film)" title="The Piano (film)">The
Piano</a></i><span style="text-indent: -18pt;"> (1993), </span><a href="http://en.wikipedia.org/wiki/Sofia_Coppola" style="text-indent: -18pt;" title="Sofia Coppola">Sofia
Coppola</a><span style="text-indent: -18pt;"> for </span><i style="text-indent: -18pt;"><a href="http://en.wikipedia.org/wiki/Lost_in_Translation_(film)" title="Lost in Translation (film)">Lost in Translation</a></i><span style="text-indent: -18pt;"> (2003), and </span><a href="http://en.wikipedia.org/wiki/Kathryn_Bigelow" style="text-indent: -18pt;" title="Kathryn Bigelow">Kathryn
Bigelow</a><span style="text-indent: -18pt;">for </span><i style="text-indent: -18pt;"><a href="http://en.wikipedia.org/wiki/The_Hurt_Locker" title="The Hurt Locker">The Hurt Locker</a></i><span style="text-indent: -18pt;"> (2009). Bigelow was the
first, and to date the only, female director to win the Academy Award for Best
Director.</span></li>
<li><span style="text-indent: -18pt;">16% of the behind-the-scenes
roles (such as directing, producing, writing, editing, cinematography, etc.)
for 2013’s Top 250 Films were held by female practitioners.</span></li>
<li><span style="text-indent: -18pt;">A historical comparison of
women’s employment on the top 250 films in 2013 and 1998 reveals that the
percentages of women directors, writers, executive producers, editors, and
cinematographers have declined.</span></li>
<li><span style="text-indent: -18pt;">Women comprised 6% of all
directors working on the top 250 films of 2013.</span></li>
</ul>
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<span lang="EN-US">The statistics raise an important question:
why? What are the compounding factors on our female
filmmakers and why are they impacting their influence within the industry? The answer lies in the one activity that only women are capable of doing:
making babies. <o:p></o:p></span></div>
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<span lang="EN-US">We all know the story of the birds and the
bees and how babies are made and it is definitely not the right time and place
to discuss this process here. Neither is it to comment on current political
correctness when it comes to RAISING a child (that is not the point in
question). Taking 9 months out of your year to produce a gorgeous, beautiful,
specimen to be enjoyed by the world for the rest of its life is a full-time,
energy-sapping, mind-blowing experience. As is making a film. <o:p></o:p></span></div>
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<div class="MsoNormal">
<span lang="EN-US">To do both at the same time is just not
easy. According to Director Beeban Kidron (Oranges Are Not the Only Fruit,
<a href="http://www.imdb.com/title/tt0317198/">Bridget Jones: The Edge of Reason</a>) “</span>motherhood
has affected her career ‘more than gender” and that “the question of who
brings up the kids has a material effect on all women's careers."
Angelina Jolie was famously photographed in December last year juggling her
directing on <a href="http://www.imdb.com/title/tt1809398/?ref_=nv_sr_1">Unbroken</a> whilst taking care of her 6 children whilst Brad Pitt was
overseas filming another feature. Assistants and nannies aside, any mother
knows how difficult it is to manage the demands of your children with the
demands of a filmset. <o:p></o:p></div>
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<br /></div>
<div class="MsoNormal">
Luckily, the tides are
changing and support for female directors who want to make a family, are in the
middle of the process, or have succeeded in doing so, is becoming stronger. Sue
Taylor commented on the production of her feature film, <a href="http://www.imdb.com/title/tt1496005/?ref_=fn_al_tt_1">The Tree</a>, in 2010 on which
a crèche was set up not just for the children in the film, but also for the children
of her director and other members of the crew, allowing them to spend time with
their children whilst at work. This kind of support is incredibly rewarding for
female filmmakers and its hoped that in the future, Hollywood and other large
film industries will start to acknowledge the benefits of supporting are great
film and baby makers with the necessary resources. </div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5251699706868501165.post-34071875095208000162014-01-07T11:25:00.004+08:002014-08-30T18:39:14.645+08:00Sherlock Season 3<iframe width="640" height="360" src="//www.youtube.com/embed/9UcR9iKArd0?rel=0" frameborder="0" allowfullscreen></iframe><br />
I've had an interesting relationship with Benedict Cumberbatch over the years. No, we have never met, but one we would presume based on my highly vocalised opinions of the poor guy, that we had once had a fruitless fancy in love that did not end well. My comments about his "arrogance", "weasly-nature" and "larger-than-normal head" are just a few to mention from my tirades. Which is why it is ironic that his performance in Sherlock has managed to sway my judgements of an actor and actually like him for a change.<br />
<br />
For those of you who don't know, this BBC modernization of the Conan Doyle series features England's most prolific fictional detective Sherlock Holmes and his wise side-kick, Dr John Watson, as they galavant around 21st century London solving mysteries. I was not a fan of the series in its inception simply because I was not a fan of Mr Cumberbatch himself. But when my boyfriend made me sit through an entire 90 minute episode during Season 2, I was suddenly hooked.<br />
<br />
Sherlock features not only one of the greatest fictional characters ever created in English history but also the finest production value of any TV series I have seen the past 10 years. The BBC have pulled no stops in presenting their audience with exquisite (near perfect) special effects coupled with a cinematographic style that supremely exceeds anything you'd find amongst Downton Abbey. London's wet, cold, cobbled streets are suddenly refreshing even to the local govn'r and the audience becomes at one with this amazing setting, a character in itself.<br />
<br />
Season 3 set outs to outshine its preceding seasons with more action, more drama, and more personal life at risk. We follow on from Season 2 two years after Sherlock Holmes supposedly jumped to his death following an unfortunate incident with his nemesis, Moriarty. Holmes must return to Baker St to win back his family and right the wrongs done whilst he has been MIA under the shadow of a potential terrorist attack on London City. It makes for an exciting, suspenseful series that is bound to not only suffice the strong-willed Sherlock fan, but attract an audience of watchers searching for a new breed of television. Three 90-minute episodes make viewing more of a blockbuster event than a veg-out session and are guaranteed to make people talk about it on Twitter or Facebook later that night. It may, like me, also convince a few Cumberbatch-critics to lighten their tone for an hour and a half as well.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5251699706868501165.post-69691574632305692912013-09-20T13:25:00.000+08:002014-08-30T13:26:39.513+08:00Australian Films To Look Out For In 2014<span style="font-family: inherit;">2014 was recently described by Inside Film as shaping up to be<a href="http://if.com.au/2013/09/19/article/2014-A-banner-year-for-Oz-cinema/YTYEYIMNZJ"> "</a><span style="background-color: white; line-height: 17px;"><a href="http://if.com.au/2013/09/19/article/2014-A-banner-year-for-Oz-cinema/YTYEYIMNZJ">one of the strongest years for Australian films." </a>In anticipation of this, and considering my lack of posts recently, I thought to provide you all with a few more reasons as to why this claim can be made with summaries of the film's mentioned and their accompanying trailers (when available). </span></span><br />
<span style="font-family: inherit;"><span style="background-color: white; line-height: 17px;"><br /></span>
<span style="background-color: white; line-height: 17px;">1. </span><em style="background-color: white; line-height: 17px;">Tracks</em></span><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;">Director: </em><span style="background-color: white; line-height: 17px;">John Curran</span><em style="background-color: white; line-height: 17px;">, Cast: </em><a href="http://en.wikipedia.org/wiki/Mia_Wasikowska" style="background-color: white; background-image: none; color: #0b0080; line-height: 19.1875px;" title="Mia Wasikowska">Mia Wasikowska</a><span style="background-color: white; line-height: 19.1875px;"> and </span><a href="http://en.wikipedia.org/wiki/Adam_Driver" style="background-color: white; background-image: none; color: #0b0080; line-height: 19.1875px; text-decoration: none;" title="Adam Driver">Adam Driver</a><em style="background-color: white; line-height: 17px;">, Release Date/Completion Date: </em><span style="background-color: white; line-height: 17px;">10 October, 2013.</span></span><br />
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<span style="font-family: inherit;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/1o-mbYtU86g?feature=player_embedded' frameborder='0'></iframe></span></div>
<em style="background-color: white; line-height: 17px;"><span style="font-family: inherit;">2. The Railway Man</span></em><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;">Director: </em><a class="new" href="http://en.wikipedia.org/w/index.php?title=Jonathan_Teplitzky&action=edit&redlink=1" style="background-color: white; background-image: none; color: #a55858; line-height: 19.1875px;" title="Jonathan Teplitzky (page does not exist)">Jonathan Teplitzky</a><em style="background-color: white; line-height: 17px;">, Cast: </em><a href="http://en.wikipedia.org/wiki/Colin_Firth" style="background-color: #f9f9f9; background-image: none; color: #0b0080; line-height: 17.265625px;" title="Colin Firth">Colin Firth</a>, <a href="http://en.wikipedia.org/wiki/Nicole_Kidman" style="background-color: #f9f9f9; background-image: none; color: #0b0080; line-height: 17.265625px; text-decoration: none;" title="Nicole Kidman">Nicole Kidman</a>, <a href="http://en.wikipedia.org/wiki/Jeremy_Irvine" style="background-color: #f9f9f9; background-image: none; color: #0b0080; line-height: 17.265625px; text-decoration: none;" title="Jeremy Irvine">Jeremy Irvine</a>, <a class="mw-redirect" href="http://en.wikipedia.org/wiki/Stellan_Skarsgard" style="background-color: #f9f9f9; background-image: none; color: #0b0080; line-height: 17.265625px; text-decoration: none;" title="Stellan Skarsgard">Stellan Skarsgard</a>, <a href="http://en.wikipedia.org/wiki/Hiroyuki_Sanada" style="background-color: #f9f9f9; background-image: none; color: #0b0080; line-height: 17.265625px; text-decoration: none;" title="Hiroyuki Sanada">Hiroyuki Sanada</a>, <a href="http://en.wikipedia.org/wiki/Tanroh_Ishida" style="background-color: #f9f9f9; background-image: none; color: #0b0080; line-height: 17.265625px; text-decoration: none;" title="Tanroh Ishida">Tanroh Ishida</a><em style="background-color: white; line-height: 17px;">, Release Date/Completion Date: </em><span style="background-color: white; line-height: 17px;">December 26, 2013</span></span><br />
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<span style="font-family: inherit;"><object class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="http://img.youtube.com/vi/bbS_dYEwf2M/0.jpg" height="266" width="320"><param name="movie" value="http://youtube.googleapis.com/v/bbS_dYEwf2M&source=uds" /><param name="bgcolor" value="#FFFFFF" /><param name="allowFullScreen" value="true" /><embed width="320" height="266" src="http://youtube.googleapis.com/v/bbS_dYEwf2M&source=uds" type="application/x-shockwave-flash" allowfullscreen="true"></embed></object></span></div>
<em style="background-color: white; line-height: 17px;"><span style="font-family: inherit;">3. Wolf Creek 2</span></em><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;">Director: </em><span class="itemprop" itemprop="name" style="background-color: white; color: #70579d; text-decoration: none;"><a href="http://www.imdb.com/name/nm0572562/?ref_=tt_ov_dr" itemprop="url" style="background-color: white; color: #70579d; text-decoration: none;">Greg Mclean</a></span><em style="background-color: white; line-height: 17px;">, Cast: </em><span class="itemprop" itemprop="name" style="background-color: #f6f6f5; color: #70579d; text-decoration: none;"><a href="http://www.imdb.com/name/nm0418877/?ref_=tt_cl_t1" itemprop="url" style="background-color: #f6f6f5; color: #70579d; text-decoration: none;">John Jarratt</a></span><em style="background-color: white; line-height: 17px;">, </em><span class="itemprop" itemprop="name" style="background-color: #fbfbfb; color: #136cb2;"><a href="http://www.imdb.com/name/nm1507708/?ref_=tt_cl_t2" itemprop="url" style="background-color: #fbfbfb; color: #136cb2;">Ryan Corr</a>, </span><span class="itemprop" itemprop="name" style="background-color: #f6f6f5; color: #136cb2;"><a href="http://www.imdb.com/name/nm4590140/?ref_=tt_cl_t3" itemprop="url" style="background-color: #f6f6f5; color: #136cb2;">Shannon Ashlyn</a></span><em style="background-color: white; line-height: 17px;"> Release Date/Completion Date: </em><span style="background-color: white; color: #333333;">20 February 2014</span><em style="background-color: white; line-height: 17px;"> </em></span><br />
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<span style="font-family: inherit;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/-UtYRb7nmQA?feature=player_embedded' frameborder='0'></iframe></span></div>
<em style="background-color: white; line-height: 17px;"><span style="font-family: inherit;">4. Felony</span></em><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;">Director: </em><span class="itemprop" itemprop="name" style="background-color: white; color: #136cb2;"><a href="http://www.imdb.com/name/nm1234242/?ref_=tt_ov_dr" itemprop="url" style="background-color: white; color: #136cb2;">Matthew Saville</a></span><em style="background-color: white; line-height: 17px;">, Cast: </em><span class="itemprop" itemprop="name" style="background-color: #f6f6f5; color: #70579d; text-decoration: none;"><a href="http://www.imdb.com/name/nm0249291/?ref_=tt_cl_t1" itemprop="url" style="background-color: #f6f6f5; color: #70579d; text-decoration: none;">Joel Edgerton</a></span><em style="background-color: white; line-height: 17px;">, </em><span class="itemprop" itemprop="name" style="background-color: #fbfbfb; color: #136cb2;"><a href="http://www.imdb.com/name/nm0313534/?ref_=tt_cl_t2" itemprop="url" style="background-color: #fbfbfb; color: #136cb2;">Melissa George</a>, </span><span class="itemprop" itemprop="name" style="background-color: #fbfbfb; color: #70579d; text-decoration: none;"><a href="http://www.imdb.com/name/nm0929489/?ref_=tt_cl_t4" itemprop="url" style="background-color: #fbfbfb; color: #70579d; text-decoration: none;">Tom Wilkinson</a>, </span><span class="itemprop" itemprop="name" style="background-color: #f6f6f5; color: #70579d; text-decoration: none;"><a href="http://www.imdb.com/name/nm2541974/?ref_=tt_cl_t3" itemprop="url" style="background-color: #f6f6f5; color: #70579d; text-decoration: none;">Jai Courtney</a></span><em style="background-color: white; line-height: 17px;"> Release Date/Completion Date: 2014</em></span><br />
<div style="text-align: center;">
<em style="background-color: white; line-height: 17px;"><span style="font-family: inherit;"><iframe allowfullscreen="" frameborder="0" height="266" src="//www.youtube.com/embed/M6ViPDQiWkk?rel=0" width="320"></iframe></span></em></div>
<div style="text-align: center;">
<span style="font-family: inherit;"><br /></span></div>
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;">5. </em><em style="background-color: white; line-height: 17px;">Canopy</em></span><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;">Director: </em><span style="background-color: white; line-height: 20px;">Aaron Wilson</span><span style="line-height: 17px;"><span style="background-color: white; font-style: italic;">, Cast:</span><span style="background-color: white;"> </span></span><span style="background-color: white;"><span style="box-sizing: border-box; line-height: 27px;">KHAN CHITTENDEN</span><span style="line-height: 17px;">, </span><span style="box-sizing: border-box; line-height: 27px;">MO TZU-YI,</span></span><em style="background-color: white; line-height: 17px;"> Release Date/Completion Date: TBA, Trailer:</em></span><br />
<div style="text-align: center;">
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/qj5rPKws8PI?feature=player_embedded' frameborder='0'></iframe></div>
<br /></div>
<span style="font-family: inherit;">
<em style="background-color: white; line-height: 17px;">6. </em><em style="background-color: white; line-height: 17px;">Kill Me Three Times</em></span><br />
<em style="background-color: white; line-height: 17px;"><span style="font-family: inherit;">Director: Kriv Stenders, Cast: Simon Pegg, Sullivan Stapleton, Alice Braga, Release Date/Completion Date: 2014, </span></em><br />
<em style="background-color: white; line-height: 17px;"><span style="font-family: inherit;">Trailer: TBA</span></em><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://fbcdn-sphotos-b-a.akamaihd.net/hphotos-ak-prn1/44736_527925480621695_1863029040_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" height="320" src="https://fbcdn-sphotos-b-a.akamaihd.net/hphotos-ak-prn1/44736_527925480621695_1863029040_n.jpg" width="320" /></span></a></div>
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;"><br /></em>
<em style="background-color: white; line-height: 17px;">7. The Rover</em></span><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;">Director: </em><span class="itemprop" itemprop="name" style="background-color: white; color: #136cb2;"><a href="http://www.imdb.com/name/nm2391575/?ref_=tt_ov_dr" itemprop="url" style="color: #136cb2;">David Michôd</a></span><em style="background-color: white; line-height: 17px;">, Cast: </em><span class="itemprop" itemprop="name" style="background-color: #f6f6f5; color: #70579d;"><a href="http://www.imdb.com/name/nm1500155/?ref_=tt_cl_t1" itemprop="url" style="color: #70579d; text-decoration: none;">Robert Pattinson</a>, </span><span class="itemprop" itemprop="name" style="background-color: #fbfbfb; color: #136cb2;"><a href="http://www.imdb.com/name/nm0001602/?ref_=tt_cl_t2" itemprop="url" style="color: #136cb2;">Guy Pearce</a>, </span><span class="itemprop" itemprop="name" style="background-color: #fbfbfb; color: #136cb2;"><a href="http://www.imdb.com/name/nm0003482/?ref_=tt_cl_t4" itemprop="url" style="color: #136cb2;">Nash Edgerton</a></span><em style="background-color: white; line-height: 17px;">, Release Date/Completion Date: 2013</em></span><br />
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: inherit;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/nr7GvVvJozA?feature=player_embedded' frameborder='0'></iframe></span></div>
<span style="font-family: inherit;"><br />
<em style="background-color: white; line-height: 17px;">8. Son of a Gun</em></span><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;">Director: </em><span class="itemprop" itemprop="name" style="background-color: white; color: #136cb2;"><a href="http://www.imdb.com/name/nm1170339/?ref_=tt_ov_dr" itemprop="url" style="background-color: white; color: #136cb2;">Julius Avery</a></span><em style="background-color: white; line-height: 17px;">, Cast: </em><a href="http://www.imdb.com/name/nm0000191/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #70579d; text-decoration: none;"><span class="itemprop" itemprop="name">Ewan McGregor</span></a><span style="background-color: white; color: #333333;">, </span><a href="http://www.imdb.com/name/nm2539953/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #70579d; text-decoration: none;"><span class="itemprop" itemprop="name">Alicia Vikander</span></a><span style="background-color: white; color: #333333;">, </span><span class="itemprop" itemprop="name" style="background-color: white; color: #70579d; text-decoration: none;"><a href="http://www.imdb.com/name/nm4154798/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #70579d; text-decoration: none;">Brenton Thwaites</a></span><em style="background-color: white; line-height: 17px;">, Release Date/Completion Date: 2014, </em></span><br />
<em style="background-color: white; line-height: 17px;"><span style="font-family: inherit;">Trailer: TBA</span></em><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://fbcdn-sphotos-b-a.akamaihd.net/hphotos-ak-frc1/309785_522116641151937_2030806196_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" height="284" src="https://fbcdn-sphotos-b-a.akamaihd.net/hphotos-ak-frc1/309785_522116641151937_2030806196_n.jpg" width="320" /></span></a></div>
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;"><br /></em>
<em style="background-color: white; line-height: 17px;">9. I, Frankenstein</em></span><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;">Director: </em><a href="http://en.wikipedia.org/wiki/Stuart_Beattie" style="background-color: white; background-image: none; color: #0b0080; line-height: 19.1875px;" title="Stuart Beattie">Stuart Beattie</a><em style="background-color: white; line-height: 17px;">, Cast: </em><a href="http://www.imdb.com/name/nm0001173/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #136cb2;"><span class="itemprop" itemprop="name">Aaron Eckhart</span></a><span style="background-color: white; color: #333333;">, </span><a href="http://www.imdb.com/name/nm0631490/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #70579d; text-decoration: none;"><span class="itemprop" itemprop="name">Bill Nighy</span></a><span style="background-color: white; color: #333333;">, </span><span class="itemprop" itemprop="name" style="background-color: white; color: #70579d; text-decoration: none;"><a href="http://www.imdb.com/name/nm0001584/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #70579d; text-decoration: none;">Miranda Otto</a></span><em style="background-color: white; line-height: 17px;">, Release Date/Completion Date: </em><span style="background-color: white; color: #666666;"> </span><span class="nobr" style="background-color: white; color: #cccccc; white-space: nowrap;"><a href="http://www.imdb.com/title/tt1418377/releaseinfo?ref_=tt_ov_inf" style="color: #136cb2;" title="See all release dates">24 January 2014</a></span><em style="background-color: white; line-height: 17px;">, </em></span><br />
<em style="background-color: white; line-height: 17px;"><span style="font-family: inherit;">Trailer: TBA</span></em><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-3Ivh_SEjMaI/UZKt_W6joXI/AAAAAAAAAm8/26_eE4UBGiU/s1600/IFrankenstein-banner01.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" src="http://3.bp.blogspot.com/-3Ivh_SEjMaI/UZKt_W6joXI/AAAAAAAAAm8/26_eE4UBGiU/s400/IFrankenstein-banner01.png" height="147" width="400" /></span></a></div>
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;"><br /></em>
<em style="background-color: white; line-height: 17px;">10. Predestination</em></span><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;">Director: </em><a href="http://www.imdb.com/name/nm1294961/?ref_=tt_ov_dr" itemprop="url" style="background-color: white; color: #136cb2;"><span class="itemprop" itemprop="name">Michael Spierig</span></a><span style="background-color: white; color: #333333;">, </span><span class="itemprop" itemprop="name" style="background-color: white; color: #70579d; text-decoration: none;"><a href="http://www.imdb.com/name/nm1294962/?ref_=tt_ov_dr" itemprop="url" style="background-color: white; color: #70579d; text-decoration: none;">Peter Spierig</a></span><em style="background-color: white; line-height: 17px;">, Cast: </em><a href="http://www.imdb.com/name/nm0000160/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #136cb2;"><span class="itemprop" itemprop="name">Ethan Hawke</span></a><span style="background-color: white; color: #333333;">, </span><a href="http://www.imdb.com/name/nm0852965/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #70579d; text-decoration: none;"><span class="itemprop" itemprop="name">Noah Taylor</span></a><span style="background-color: white; color: #333333;">, </span><span class="itemprop" itemprop="name" style="background-color: white; color: #70579d; text-decoration: none;"><a href="http://www.imdb.com/name/nm0456130/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #70579d; text-decoration: none;">Christopher Kirby</a></span><em style="background-color: white; line-height: 17px;">, Release Date/Completion Date: 2014, </em><em style="background-color: white; line-height: 17px;">Trailer: TBA</em></span><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;"><br /></em>
<em style="background-color: white; line-height: 17px;">11. Charlie’s Country</em></span><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;">Director: </em><span style="background-color: white; line-height: 17px;">Rolf de Heer</span><em style="background-color: white; line-height: 17px;">, Cast: </em><span style="background-color: white; line-height: 17px;">David Gulpilil</span><em style="background-color: white; line-height: 17px;">, Release Date/Completion Date: </em><span style="background-color: white; line-height: 17px;">May 11, 2013</span><em style="background-color: white; line-height: 17px;">, </em><em style="background-color: white; line-height: 17px;">Trailer: N/A</em></span><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;"><br /></em>
<em style="background-color: white; line-height: 17px;">12. Fell</em><span style="background-color: white; line-height: 17px;"> </span></span><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;">Director: </em><span style="background-color: white; line-height: 17px;">Kasimir Burgess</span><em style="background-color: white; line-height: 17px;">, Cast: </em><span style="background-color: white; line-height: 17px;">Matt Nable</span><em style="background-color: white; line-height: 17px;">, </em><span style="background-color: white; line-height: 17px;">Daniel Henshall</span><span style="background-color: white; line-height: 17px;">,</span><em style="background-color: white; line-height: 17px;"> Release Date/Completion Date: </em><span style="background-color: white; line-height: 17px;">18 October 2013</span><em style="background-color: white; line-height: 17px;">, </em></span><br />
<em style="background-color: white; line-height: 17px;"><span style="font-family: inherit;">Trailer: N/A</span></em><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;"><br /></em>
<em style="background-color: white; line-height: 17px;">13. </em><em style="background-color: white; line-height: 17px;">Now Add Honey</em></span><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;">Director: </em><span class="itemprop" itemprop="name" style="background-color: white; color: #136cb2;"><a href="http://www.imdb.com/name/nm0394053/?ref_=tt_ov_dr" itemprop="url" style="background-color: white; color: #136cb2;">Wayne Hope</a></span><em style="background-color: white; line-height: 17px;">, Cast: </em><a href="http://www.imdb.com/name/nm0005577/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #70579d; text-decoration: none;"><span class="itemprop" itemprop="name">Portia de Rossi</span></a><span style="background-color: white; color: #333333;">, </span><a href="http://www.imdb.com/name/nm4867258/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #70579d; text-decoration: none;"><span class="itemprop" itemprop="name">Lucy Fry</span></a><span style="background-color: white; color: #333333;">, </span><a href="http://www.imdb.com/name/nm0760151/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #70579d; text-decoration: none;"><span class="itemprop" itemprop="name">Angus Sampson</span></a><em style="background-color: white; line-height: 17px;">, Release Date/Completion Date: 2014, </em><em style="background-color: white; line-height: 17px;">Trailer: N/A </em></span><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;"><br /></em>
<span style="background-color: white; line-height: 17px;">14. </span><em style="background-color: white; line-height: 17px;">Cut Snake</em></span><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;">Director: </em><span style="background-color: white; line-height: 24px;">Tony Ayres</span><em style="background-color: white; line-height: 17px;">, Cast: </em><a data-rapid_p="11" href="http://www.deadline.com/tag/sullivan-stapleton/" style="background-color: white; color: #324fe1; line-height: 24px; outline: 0px;">Sullivan Stapleton</a><em style="background-color: white; line-height: 17px;">, </em><span style="background-color: white; color: #324fe1; line-height: 24px; outline: 0px;"><a data-rapid_p="12" href="http://www.deadline.com/tag/ryan-kwanten/" style="color: #324fe1; outline: 0px;">Ryan Kwanten</a>, </span><span style="background-color: white; color: #366388; line-height: 24px;">Rachael Taylor,</span><em style="background-color: white; line-height: 17px;"> Release Date/Completion Date: 2014, </em><em style="background-color: white; line-height: 17px;">Trailer: N/A</em></span><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;"><br /></em>
<em style="background-color: white; line-height: 17px;">15. The Dressmaker</em><span style="background-color: white; line-height: 17px;"> </span></span><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;">Director: </em><span style="background-color: white; color: #444444; line-height: 16px;">Jocelyn Moorhouse</span><em style="background-color: white; line-height: 17px;">, Cast: </em><span style="background-color: white; line-height: 20px;">Kate Winslet and Judy Davis</span><em style="background-color: white; line-height: 17px;">, Release Date/Completion Date: 2014, </em></span><br />
<em style="background-color: white; line-height: 17px;"><span style="font-family: inherit;">Trailer: N/A</span></em><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-JZ5cIs94TxM/UjvRHqJ1UAI/AAAAAAAAAls/B8mH8mOlNvc/s1600/Screen+Shot+2013-09-20+at+12.37.35+PM.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" src="http://4.bp.blogspot.com/-JZ5cIs94TxM/UjvRHqJ1UAI/AAAAAAAAAls/B8mH8mOlNvc/s320/Screen+Shot+2013-09-20+at+12.37.35+PM.png" height="320" width="201" /></span></a></div>
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;"><br /></em>
<span style="background-color: white; line-height: 17px;">16. </span><em style="background-color: white; line-height: 17px;">Paper Planes</em></span><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;">Director: </em><span style="background-color: white; color: #333333; line-height: 21.125px;">Robert Connolly</span><em style="background-color: white; line-height: 17px;">, Cast: TBA, Release Date/Completion Date: 2013/14, </em><em style="background-color: white; line-height: 17px;">Trailer: N/A</em></span><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;"><br /></em>
<em style="background-color: white; line-height: 17px;">17. </em><em style="background-color: white; line-height: 17px;">Healing</em></span><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;">Director: </em><span class="itemprop" itemprop="name" style="background-color: white; color: #136cb2;"><a href="http://www.imdb.com/name/nm0597516/?ref_=tt_ov_dr" itemprop="url" style="background-color: white; color: #136cb2;">Craig Monahan</a></span><em style="background-color: white; line-height: 17px;">, Cast: </em><a href="http://www.imdb.com/name/nm0915989/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #136cb2;"><span class="itemprop" itemprop="name">Hugo Weaving</span></a><span style="background-color: white; color: #333333;">, </span><a href="http://www.imdb.com/name/nm1882152/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #70579d; text-decoration: none;"><span class="itemprop" itemprop="name">Xavier Samuel</span></a><span style="background-color: white; color: #333333;">, </span><span class="itemprop" itemprop="name" style="background-color: white; color: #70579d; text-decoration: none;"><a href="http://www.imdb.com/name/nm0853079/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #70579d; text-decoration: none;">Robert Taylor</a></span><em style="background-color: white; line-height: 17px;">, Release Date/Completion Date: N/A, </em><em style="background-color: white; line-height: 17px;">Trailer: N/A</em></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://www.pointblankpictures.com.au/img/44" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" src="http://www.pointblankpictures.com.au/img/44" height="179" width="320" /></span></a></div>
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;"><br /></em>
<em style="background-color: white; line-height: 17px;">18. </em><em style="background-color: white; line-height: 17px;">The Reckoning</em></span><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;">Director: </em><a href="http://www.imdb.com/name/nm2644574/?ref_=tt_ov_dr" itemprop="url" style="background-color: white; color: #136cb2;"><span class="itemprop" itemprop="name">John V. Soto</span></a><em style="background-color: white; line-height: 17px;">, Cast: </em><a href="http://www.imdb.com/name/nm1292661/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #136cb2;"><span class="itemprop" itemprop="name">Luke Hemsworth</span></a><span style="background-color: white; color: #333333;">, </span><a href="http://www.imdb.com/name/nm2130586/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #70579d; text-decoration: none;"><span class="itemprop" itemprop="name">Viva Bianca</span></a><span style="background-color: white; color: #333333;">, </span><span class="itemprop" itemprop="name" style="background-color: white; color: #70579d; text-decoration: none;"><a href="http://www.imdb.com/name/nm0487405/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #70579d; text-decoration: none;">Jonathan LaPaglia</a></span><em style="background-color: white; line-height: 17px;">, Release Date/Completion Date: 2014, </em></span><br />
<em style="background-color: white; line-height: 17px;"><span style="font-family: inherit;">Trailer: N/A</span></em><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://filmscope.com.au/wp/wp-content/uploads/2012/10/The-Reckoning1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://filmscope.com.au/wp/wp-content/uploads/2012/10/The-Reckoning1.jpg" height="320" width="225" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;">19. </em><em style="background-color: white; line-height: 17px;">The Menkoff Method</em></span><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;">Director: </em><span class="itemprop" itemprop="name" style="background-color: white; color: #136cb2;"><a href="http://www.imdb.com/name/nm0662186/?ref_=tt_ov_dr" itemprop="url" style="background-color: white; color: #136cb2;">David Parker</a></span><em style="background-color: white; line-height: 17px;">, Cast: </em><a href="http://www.imdb.com/name/nm0852965/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #136cb2;"><span class="itemprop" itemprop="name">Noah Taylor</span></a><span style="background-color: white; color: #333333;">, </span><a href="http://www.imdb.com/name/nm0853079/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #70579d; text-decoration: none;"><span class="itemprop" itemprop="name">Robert Taylor</span></a><span style="background-color: white; color: #333333;">, </span><span class="itemprop" itemprop="name" style="background-color: white; color: #70579d; text-decoration: none;"><a href="http://www.imdb.com/name/nm0565805/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #70579d; text-decoration: none;">Catherine McClements</a></span><em style="background-color: white; line-height: 17px;">, Release Date/Completion Date: 2014, </em><em style="background-color: white; line-height: 17px;">Trailer: N/A</em></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://www.whitehotproductions.com/wp-content/uploads/WHP_slide_the_menkoff_method.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" src="http://www.whitehotproductions.com/wp-content/uploads/WHP_slide_the_menkoff_method.jpg" height="130" width="400" /></span></a></div>
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;"><br /></em><em style="background-color: white; line-height: 17px;">20. </em><em style="background-color: white; line-height: 17px;">Backtrack</em></span><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;">Director: </em><span style="background-color: white; line-height: 17px;">Michael Petroni</span><em style="background-color: white; line-height: 17px;">, Cast: N/A, Release Date/Completion Date: N/A, T</em><em style="background-color: white; line-height: 17px;">railer: N/A</em></span><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;"><br /></em>
<em style="background-color: white; line-height: 17px;">21. </em><em style="background-color: white; line-height: 17px;">The Babadook</em></span><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;">Director: </em><span class="itemprop" itemprop="name" style="background-color: white; color: #70579d; text-decoration: none;"><a href="http://www.imdb.com/name/nm0448768/?ref_=tt_ov_dr" itemprop="url" style="background-color: white; color: #70579d; text-decoration: none;">Jennifer Kent</a></span><em style="background-color: white; line-height: 17px;">, Cast: </em><a href="http://www.imdb.com/name/nm0204583/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #136cb2;"><span class="itemprop" itemprop="name">Essie Davis</span></a><span style="background-color: white; color: #333333;">, </span><a href="http://www.imdb.com/name/nm5231168/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #70579d; text-decoration: none;"><span class="itemprop" itemprop="name">Noah Wiseman</span></a><span style="background-color: white; color: #333333;">, </span><span class="itemprop" itemprop="name" style="background-color: white; color: #70579d; text-decoration: none;"><a href="http://www.imdb.com/name/nm2989873/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #70579d; text-decoration: none;">Daniel Henshall</a></span><em style="background-color: white; line-height: 17px;">, Release Date/Completion Date: 2013/14, </em><em style="background-color: white; line-height: 17px;">Trailer: N/A</em></span><br />
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<a href="http://3.bp.blogspot.com/-CgMK4g0spfk/UjvOm3L00jI/AAAAAAAAAlg/d3PN72pPF34/s1600/Screen+Shot+2013-09-20+at+12.26.51+PM.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" src="http://3.bp.blogspot.com/-CgMK4g0spfk/UjvOm3L00jI/AAAAAAAAAlg/d3PN72pPF34/s1600/Screen+Shot+2013-09-20+at+12.26.51+PM.png" /></span></a></div>
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;"><br /></em><span style="line-height: 17px;"><i>22. </i></span><em style="background-color: white; line-height: 17px;">The Little Death</em></span><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;">Director: </em><span class="itemprop" itemprop="name" style="background-color: white; color: #136cb2;"><a href="http://www.imdb.com/name/nm0493257/?ref_=tt_ov_dr" itemprop="url" style="background-color: white; color: #136cb2;">Josh Lawson</a></span><em style="background-color: white; line-height: 17px;">, Cast: </em><a href="http://www.imdb.com/name/nm0636942/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #136cb2;"><span class="itemprop" itemprop="name">Bojana Novakovic</span></a><span style="background-color: white; color: #333333;">, </span><a href="http://www.imdb.com/name/nm0401522/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #70579d; text-decoration: none;"><span class="itemprop" itemprop="name">Lachy Hulme</span></a><span style="background-color: white; color: #333333;">, </span><span class="itemprop" itemprop="name" style="background-color: white; color: #70579d; text-decoration: none;"><a href="http://www.imdb.com/name/nm0493159/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #70579d; text-decoration: none;">Ben Lawson</a></span><em style="background-color: white; line-height: 17px;">, Release Date/Completion Date: N/A, </em><em style="background-color: white; line-height: 17px;">Trailer: N/A</em></span><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;"><br /></em>
<em style="background-color: white; line-height: 17px;">23. </em><em style="background-color: white; line-height: 17px;">The Stolen</em></span><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;">Director: </em><span class="itemprop" itemprop="name" style="background-color: white; color: #136cb2;"><a href="http://www.imdb.com/name/nm0425894/?ref_=tt_ov_dr" itemprop="url" style="background-color: white; color: #136cb2;">Niall Johnson</a></span><em style="background-color: white; line-height: 17px;">, Cast: </em><a href="http://www.imdb.com/name/nm0574615/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #136cb2;"><span class="itemprop" itemprop="name">Graham McTavish</span></a><span style="background-color: white; color: #333333;">, </span><a href="http://www.imdb.com/name/nm1095720/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #70579d; text-decoration: none;"><span class="itemprop" itemprop="name">Keisha Castle-Hughes</span></a><span style="background-color: white; color: #333333;">, </span><span class="itemprop" itemprop="name" style="background-color: white; color: #70579d; text-decoration: none;"><a href="http://www.imdb.com/name/nm0639782/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #70579d; text-decoration: none;">Richard O'Brien</a></span><em style="background-color: white; line-height: 17px;">, Release Date/Completion Date: 2013/14, </em><em style="background-color: white; line-height: 17px;">Trailer: N/A</em></span><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;"><br /></em>
<span style="background-color: white; line-height: 17px;">And one important film which was horribly missed in amongst the article being Zac Hilditch's feature directorial debut, </span><em style="background-color: white; line-height: 17px;">These Final Hours. </em></span><br />
<span style="font-family: inherit;"><em style="background-color: white; line-height: 17px;">Director: </em><a href="http://www.imdb.com/name/nm1991847/?ref_=tt_ov_dr" itemprop="url" style="background-color: white; color: #136cb2;"><span class="itemprop" itemprop="name">Zak Hilditch</span></a><em style="background-color: white; line-height: 17px;">, Cast: </em><a href="http://www.imdb.com/name/nm2681284/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #70579d; text-decoration: none;"><span class="itemprop" itemprop="name">Jessica De Gouw</span></a><span style="background-color: white; color: #333333;">, </span><a href="http://www.imdb.com/name/nm3512758/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #70579d; text-decoration: none;"><span class="itemprop" itemprop="name">Sarah Snook</span></a><span style="background-color: white; color: #333333;">, </span><a href="http://www.imdb.com/name/nm0680667/?ref_=tt_ov_st" itemprop="url" style="background-color: white; color: #70579d; text-decoration: none;"><span class="itemprop" itemprop="name">Nathan Phillips</span></a><em style="background-color: white; line-height: 17px;">, Release Date/Completion Date: 2014, </em><em style="background-color: white; line-height: 17px;">Trailer: N/A</em></span><br />
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<a href="https://fbcdn-sphotos-g-a.akamaihd.net/hphotos-ak-ash3/919377_450869828337766_2143829794_o.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" height="265" src="https://fbcdn-sphotos-g-a.akamaihd.net/hphotos-ak-ash3/919377_450869828337766_2143829794_o.jpg" width="400" /></span></a></div>
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<span style="font-family: inherit;">Set your calendars ladies and gents. 2014 is going to be a wonderful ride!</span></div>
<em style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12px; line-height: 17px;"><br /></em>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5251699706868501165.post-60796301806739051572013-04-19T22:20:00.000+08:002014-08-30T18:42:08.502+08:00Olympus Has Fallen<div class="separator" style="clear: both; text-align: center;">
<a href="http://cdn.clotureclub.com/wp-content/uploads/2013/03/olympus-has-fallen.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://cdn.clotureclub.com/wp-content/uploads/2013/03/olympus-has-fallen.jpg" height="227" width="400" /></a></div>
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Action films are typically THE easiest film genre to predict. Hot guy with dark history + deep conflict that risks the existence of the world + lots of fighting and guns = solid gold.<br />
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When you throw in the White House and the United States president though, you're playing in a whole new ballpark. OLYMPUS HAS FALLEN has taken the standard action genre format and fine-tuned it to perfection. Audiences are riveted from the first 5 minutes and are entrenched for the remainder of the film with each minute serving up one amazing scene after another after another.<br />
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Olympus Has Fallen tells the story of former Secret Service agent Mike Banning who lost the career of his life after a serious accident involving the death of his boss' wife - the President of the United States. Move on 18 months and Banning now works for the Treasury Department within excruciating proximity to his former work place, The White House. At the same time, heat is rising between North and South Korea (aptly timed for the current political climate). A visit from the South Korean Prime Minister initiates the epic action that fulfills the remainder of the film which, as promised by the title, involves the invasion of the most secure building in the world.<br />
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The seamlessness of this film lies in Antoine Fuqua's direction and<span style="font-family: Times, Times New Roman, serif;"> <span class="itemprop" itemprop="name" style="background-color: white;">Creighton Rothenberger and</span><span style="background-color: white;"> </span><span class="itemprop" itemprop="name" style="background-color: white;">Katrin Benedikt's writing talents. A story set in a previously inaccessible location that audience imaginations could only describe the inner workings of, coupled with a careful consideration of the various subplots in the film, are truly effective. I can honestly say I have never been more attentive in a film before. Credit must also be given to Gerard Butler who carries this film like a champ with him appearing in almost every scene. I am also giving him credit for mastering his American accent (finally!). </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span class="itemprop" itemprop="name" style="background-color: white;"><br /></span></span>
<span style="font-family: Times, Times New Roman, serif;"><span class="itemprop" itemprop="name" style="background-color: white;">Olympus Has Fallen is out in all good cinemas and at MA15+, won't be one for the kiddies but I seriously recommend it for any of you who want to go to the movies for an experience, rather than just something to do in your spare time whilst you hang out on Twitter. </span></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5251699706868501165.post-42709342471552271972013-04-09T19:18:00.002+08:002014-08-30T13:40:35.945+08:00Trance<div class="separator" style="clear: both; text-align: center;">
<a href="http://www.impawards.com/intl/uk/2013/posters/trance_ver5_xlg.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="http://www.impawards.com/intl/uk/2013/posters/trance_ver5_xlg.jpg" width="215" /></a></div>
Not since Inception has a single film managed to confuse the crap out of me until the very last frame. Now, Trance can claim that throne by throwing up one of the one most complicated storylines I have experienced in the cinema of late (except for Beverly Hills Chihuahua 2 - that's still a mystery to me).<br />
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Trance tells the story of a young, troubled art auctioneer with a penchant for gambling who becomes involved with a <span style="background-color: white; color: #444444; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 17px;">£25million</span> art theft that was planned to perfection until Simon suffers a knock on the head that misplaces his memory about where the valuable piece has been stashed. Slightly inconceivably, the crew involved with the heist decide to send Simon to a "random" hypnotherapist so that she might retrieve the memory that conceals the location of the painting. It's when Elizabeth, the hypnotherapist, involves herself within the gang's plans to sell the painting and split the profits that shit starts to get real. Before long, Elizabeth become more than just a Sherlock Holmes for Simon's thoughts. Soon, she sleeping with not one, but two of the cast involved in the discovery, Simon and Franck (the ringleader of the gang). The film continues with Elizabeth submitting both Simon and the gang to a number of exercises in order to release the memory from Simon's brain. It is not till towards the end however, that we discover the true story that is taking place with it being revealed that Elizabeth and Simon once knew eachother before Simon's accident. It is from here that the film takes a wrong turn down memory lane.<br />
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There are so many layers within this film to analyse. The biggest of which was the question, "if you could keep some memories over others, would you?" Boyle actualizes this concept through Simon's gambling addiction, arguably the catalyst for the whole film and the consequences that follow. By Simon involving himself in the gambling world, he takes a chance on his happiness everyday, the same gamble Elizabeth makes by deciding to erase Simon's memory - a decision she thinks will make her life better. The conclusion of the film sends out the message that there is a reason we should not mess with our memories for each one makes us who we are in the end and without them, we become empty vessels.<br />
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Production value on this film is impeccable and typically unique of Boyle's direction. Many of you will enjoy the pace and tone of this film which will keep you on the edge right to the very end and have you thinking beyond your exiting of the cinema.<br />
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<iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube.com/embed/L4_bdS3_gr0?rel=0" width="640"></iframe>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5251699706868501165.post-82311668446939336862013-03-11T13:37:00.001+08:002014-08-30T18:38:47.788+08:00Social Media Predictions 2013I stumbled across one of Slideshare's most downloaded presentations the other day which just so happened to be an awesome collective of the world's most respected marketers and their opinions on where social is expected to head for 2013. With the document ranging across 18 different slides and covering 3 separate topics, I decided to consolidate some of the schools of thought being considered into this blog post with the option for everyone to read the extended interview in the embedded document too. So, for all you social media nerds out there, here we go:<br />
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<br />
<div class="p1">
2013 Predictions Overview</div>
<div class="p1">
</div>
<ol>
<li>Anita Campbell - <a href="https://twitter.com/smallbiztrends">@smallbiztrends</a> - Founder, Small Business Trends</li>
<ol>
<li><b>Social Media Channel Primed to Grow: </b>Google+</li>
<li><b>Advice For Brand-Customer Connectivity:</b> Identify the players behind your team.</li>
</ol>
<li>Ann Handley - <a href="http://twitter.com/marketingprofs">@marketingprofs</a> - Chief Content Ocer, MarketingProfs</li>
<ol>
<li><b>Social Media Channel Primed to Grow:</b> LinkedIn.</li>
<li><b>Social Media Behavior You Would Like to See More Of:</b> B2B companies embracing social media tools and platforms.</li>
<li><b>And Less Of:</b> Social Spam.</li>
</ol>
<li>Gaurav Mishra - @<a href="http://twitter.com/Gauravonomics">Gauravonomics</a> - Asia VP of Insights, Innovation & Social, MSLGROUP/ Publicis Groupe</li>
<ol>
<li><b>Social Media Channel Primed to Grow:</b> Facebook (older social media platforms)</li>
<li><b>Advice For Brand-Customer Connectivity:</b> Create social products and platforms that solve a problem or connect around a shared purpose.</li>
</ol>
<li>Geo Livingston - <a href="http://twitter.com/Gauravonomics">@geoiving</a> - Author & Marketing Specialist</li>
<ol>
<li><b>Advice For Brand-Customer Connectivity: </b>Cultivating online and offline relationships.</li>
<li><b>Social Media Behavior You Would Like to See More Of:</b> Organic linking and sourcing of information.</li>
<li><b>And Less Of: </b>Slamming of brands online.</li>
</ol>
<li>Lee Hopkins - <a href="http://twitter.com/leehopkins">@leehopkins</a> - HopkinsFounder & Social Media Strategist, Better Communication Results</li>
<ol>
<li><b>Advice For Brand-Customer Connectivity:</b> Consistent communication of values, insights, discoveries and experiences of organisations over time.</li>
<li><b>Social Media Behavior You Would Like to See More Of: </b>Businesses taking social seriously.</li>
</ol>
<li>Lee Odden - <a href="http://twitter.com/leeodden">@leeodden</a> - CEO & Author, TopRankOnline Marketing</li>
<ol>
<li><b>Social Media Channel Primed to Grow:</b> Pinterest, Google+, YouTube.</li>
<li><b>Social Media Behavior You Would Like to See Less Of:</b> #followfriday; hashtag spam; hashtags use outside of its effective platform (ie. Facebook, cafe blackboards)</li>
</ol>
<li>Michael Brito - <a href="http://twitter.com/Britopian">@Britopian</a> - Senior VP of Social Business Planning, Edelman</li>
<ol>
<li><b>Advice For Brand-Customer Connectivity:</b> Be human. Use your employees.</li>
<li><b>Social Media Behavior You Would Like to See More Of:</b> Relevant creative and real time content creation</li>
<li><b>And Less Of:</b> Overally branded content.</li>
</ol>
<li>Paul Gillin -<a href="http://twitter.com/pgillin"> @pgillin </a>- Social Media Trainer, Consultant & Author, Profitecture</li>
<ol>
<li><b>Social Media Channel Primed to Grow:</b> Myspace, Instagram, Google+</li>
<li><b>Most Overrated Social Media Metric:</b> Fan and follower numbers. </li>
<li><b>Most Underrated Social Media Metric:</b> Engagement metrics (sharing, comments, likes etc).</li>
</ol>
<li>Philip Sheldrake - <a href="http://twitter.com/Sheldrake">@Sheldrake</a> - Managing Partner, Euler Partners</li>
<ol>
<li><b>Social Media Behavior You Would Like to See More Of: </b>Active Listening</li>
<li><b>And Less Of:</b> Flawed metric design.</li>
<li><b>Most Overrated Social Media Metric:</b> Output metrics uncorrelated to outcome metrics. </li>
<li><b>Most Underrated Social Media Metric:</b> Metrics uniquely designed for your company.</li>
</ol>
<li>Ray Wang - <a href="http://twitter.com/rwang0">@rwang0</a> - Principal Analyst & CEO, Constellation Research</li>
<ol>
<li><b>Social Media Channel Primed to Grow:</b> Pinterest and private social networks. </li>
<li><b>Advice For Brand-Customer Connectivity:</b> Authenticity. </li>
<li><b>Social Media Behavior You Would Like to See More Of:</b> Relevancy</li>
<li><b>Most Overrated Social Media Metric:</b> Share of voice.</li>
<li><b>Most Underrated Social Media Metric:</b> Interactions.</li>
</ol>
<li>Rohit Bhargava - <a href="http://twitter.com/rohitbhargava">@rohitbhargava</a> - Founder & Author, Influential Marketing Group</li>
<ol>
<li><b>Social Media Channel Primed to Grow:</b> Slideshare and LinkedIn</li>
<li><b>Advice For Brand-Customer Connectivity:</b> Being human. </li>
</ol>
<li>Shel Israel - <a href="http://twitter.com/shelisrael">@shelisrael</a> - Author & Consultant</li>
<ol>
<li><b>Social Media Channel Primed to Grow: </b>The idea of social in general. </li>
<li><b>Social Media Behavior You Would Like to See More Of:</b> Conversational interactions.</li>
<li><b>And Less Of:</b> Incivility (ED: "hear, hear")</li>
<li><b>Most Overrated Social Media Metric:</b> Likes.</li>
</ol>
<li>Toby Bloomberg - <a href="http://twitter.com/TobyDiva">@TobyDiva</a> - Director Social Media Integration at Cox Media Group Digital & Strategy Team</li>
<ol>
<li><b>Social Media Channel Primed to Grow: </b>Pinterest, Tumblr. </li>
<li><b>Most Overrated Social Media Metric:</b> Fan and follower numbers. </li>
<li><b>Most Underrated Social Media Metric:</b> Quantitative analysis of your fans’ comments.</li>
</ol>
<li>Valeria Maltoni - <a href="http://twitter.com/ConversationAge">@ConversationAge</a> - Author & Senior Director of Strategy, Empathy Lab</li>
<ol>
<li><b>Social Media Channel Primed to Grow: </b>Google+</li>
<li><b>Social Media Behavior You Would Like to See More Of: </b>More active role in value exchange.</li>
</ol>
</ol>
<div>
<br /></div>
<br />
<center>
<iframe allowfullscreen="" frameborder="0" height="356" marginheight="0" marginwidth="0" mozallowfullscreen="" scrolling="no" src="http://www.slideshare.net/slideshow/embed_code/16703870?rel=0" style="border-width: 1px 1px 0; border: 1px solid #CCC; margin-bottom: 5px;" webkitallowfullscreen="" width="427"> </iframe> <br />
<div style="margin-bottom: 5px;">
<strong> <a href="http://www.slideshare.net/dellsocialmedia/social-media-predictions-for-2013" target="_blank" title="Social Media Predictions for 2013">Social Media Predictions for 2013</a> </strong> from <strong><a href="http://www.slideshare.net/dellsocialmedia" target="_blank">Dell Social Media</a></strong> </div>
</center>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5251699706868501165.post-6050906676567383212013-01-10T21:35:00.000+08:002014-08-30T18:42:08.500+08:00Oscar Nominations 2013<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-IDPRAf9Efd8/UOoWPfXWGCI/AAAAAAAAAjA/RIzkxkaFXQg/s1600/oscar+nominess.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-IDPRAf9Efd8/UOoWPfXWGCI/AAAAAAAAAjA/RIzkxkaFXQg/s400/oscar+nominess.jpg" height="233" width="400" /></a></div>
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif;">In the lead up to the nomination announcements for the 85th Academy Awards, I thought I would predict which films would be most likely to be nominated for this year's round. </span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif;">A few of these I haven't seen so far but I'm sure will be a part of the massive 10-strong Best Picture category so forgive my ignorance on details if they're lacking. These films are my shortlist with the *'s representing films I'm not so sure would be included in the nominee considerations but which I have put in anyway. </span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
<br />
<ol>
<li><b><span style="font-family: Arial, Helvetica, sans-serif;">Argo</span></b></li>
<li><b><span style="font-family: Arial, Helvetica, sans-serif;">Django Unchained</span></b></li>
<li><span style="font-family: Arial, Helvetica, sans-serif;">Flight</span></li>
<li><span style="font-family: Arial, Helvetica, sans-serif;">The Grey*</span></li>
<li><b><span style="font-family: Arial, Helvetica, sans-serif;">Hitchcock</span></b></li>
<li><span style="font-family: Arial, Helvetica, sans-serif;">The Hobbit*</span></li>
<li><span style="font-family: Arial, Helvetica, sans-serif;">The Intouchables</span></li>
<li><span style="font-family: Arial, Helvetica, sans-serif;">Killing Them Softly*</span></li>
<li><b><span style="font-family: Arial, Helvetica, sans-serif;">Lawless</span></b></li>
<li><b><span style="font-family: Arial, Helvetica, sans-serif;">Les Miserables</span></b></li>
<li><b><span style="font-family: Arial, Helvetica, sans-serif;">Life of Pi</span></b></li>
<li><b><span style="font-family: Arial, Helvetica, sans-serif;">Lincoln</span></b></li>
<li><span style="font-family: Arial, Helvetica, sans-serif;">The Master</span></li>
<li><b><span style="font-family: Arial, Helvetica, sans-serif;">Moonrise Kingdom</span></b></li>
<li><span style="font-family: Arial, Helvetica, sans-serif;">On The Road*</span></li>
<li><span style="font-family: Arial, Helvetica, sans-serif;">The Paperboy*</span></li>
<li><b><span style="font-family: Arial, Helvetica, sans-serif;">Quartet</span></b></li>
<li><span style="font-family: Arial, Helvetica, sans-serif;">Savages*</span></li>
<li><span style="font-family: Arial, Helvetica, sans-serif;">The Sessions</span></li>
<li><b><span style="font-family: Arial, Helvetica, sans-serif;">Zero Dark Thirty</span></b></li>
</ol>
<br />
<span style="font-family: Arial, Helvetica, sans-serif;">And here is my top 10:</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif;">1. Argo - "My little story is the only thing between a gun and your head"</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><b style="color: #333333; font-size: 13px;">Nominated for 5 Golden Globes.</b><span style="background-color: #efe3a4; color: #333333; font-size: 13px;"> Another 19 wins & 27 nominations </span></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><span class="star-box-rating-label" style="font-size: 13px; font-weight: bold; line-height: 15px;">Your rating:</span> </span><br />
<div class="rating rating-list" data-auth="BCYuNzueIDLUHC_M7qM5fK5dOAxFeHaeM05CADSdk3x-mfWdVD4JRK1_cUbODlpcJSweGmXl_ExljIhsYy2Jo-CoQh2kNsbVm-8ufUu3WmIgeotvhKfC-P1Myq4WJCxhqzxA" data-ga-identifier="title" id="tt1024648|imdb|0|0|title-maindetails" style="border-bottom-left-radius: 6px; border-bottom-right-radius: 6px; border-top-left-radius: 6px; border-top-right-radius: 6px; border: none; display: inline-block; height: 13px; padding: 3px 3px 1px 4px; width: 198px;" title="Users rated this 8.2/10 (54,311 votes) - click stars to rate">
<span style="font-family: Arial, Helvetica, sans-serif;"><span class="rating-bg" style="background-image: url(http://i.media-imdb.com/images/SFa9def4143640c58fac12274ff9b66e39/rating/rating-list/sprite.png); background-position: 0px -27px; background-repeat: repeat no-repeat; height: 13px; line-height: 15px; margin: 0px; position: absolute; width: 140px; z-index: 1;"> </span><span class="rating-imdb" style="background-image: url(http://i.media-imdb.com/images/SFa9def4143640c58fac12274ff9b66e39/rating/rating-list/sprite.png); background-position: 0px -41px; background-repeat: repeat no-repeat; display: block; height: 13px; line-height: 15px; margin: 0px; position: absolute; width: 0px; z-index: 2;"> </span><span class="rating-stars" style="line-height: 15px; margin: 0px; position: absolute; z-index: 3;"><a class="" href="http://www.blogger.com/blogger.g?blogID=5251699706868501165" rel="nofollow" style="display: block; float: left; width: 14px;" title="Register or login to rate this title"><span style="visibility: hidden;"></span></a><a class="" href="http://www.blogger.com/blogger.g?blogID=5251699706868501165" rel="nofollow" style="display: block; float: left; width: 14px;" title="Register or login to rate this title"><span style="visibility: hidden;"></span></a><a class="" href="http://www.blogger.com/blogger.g?blogID=5251699706868501165" rel="nofollow" style="display: block; float: left; width: 14px;" title="Register or login to rate this title"><span style="visibility: hidden;"></span></a><a class="" href="http://www.blogger.com/blogger.g?blogID=5251699706868501165" rel="nofollow" style="display: block; float: left; width: 14px;" title="Register or login to rate this title"><span style="visibility: hidden;"></span></a><a class="" href="http://www.blogger.com/blogger.g?blogID=5251699706868501165" rel="nofollow" style="display: block; float: left; width: 14px;" title="Register or login to rate this title"><span style="visibility: hidden;"></span></a><a class="" href="http://www.blogger.com/blogger.g?blogID=5251699706868501165" rel="nofollow" style="display: block; float: left; width: 14px;" title="Register or login to rate this title"><span style="visibility: hidden;"></span></a><a class="" href="http://www.blogger.com/blogger.g?blogID=5251699706868501165" rel="nofollow" style="display: block; float: left; width: 14px;" title="Register or login to rate this title"><span style="visibility: hidden;"></span></a><a href="http://www.blogger.com/blogger.g?blogID=5251699706868501165" rel="nofollow" style="display: block; float: left; width: 14px;" title="Register or login to rate this title"><span style="visibility: hidden;"></span></a><a href="http://www.blogger.com/blogger.g?blogID=5251699706868501165" rel="nofollow" style="display: block; float: left; width: 14px;" title="Register or login to rate this title"><span style="visibility: hidden;"></span></a><a href="http://www.blogger.com/blogger.g?blogID=5251699706868501165" rel="nofollow" style="display: block; float: left; width: 14px;" title="Register or login to rate this title"><span style="visibility: hidden;"></span></a></span><span class="rating-rating" style="color: #a58600; font-weight: bold; line-height: 15px; margin: -1px 0px 0px 143px; position: absolute; text-align: right; width: 40px;"><span class="value">-</span><span class="grey" style="color: #cccccc; font-weight: normal;">/</span><span class="grey" style="color: #cccccc; font-weight: normal;">10</span></span> </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Ratings: <strong><span itemprop="ratingValue" style="line-height: 15px;">8.2</span></strong><span class="mellow" style="color: #999999; line-height: 15px;">/<span itemprop="bestRating">10</span></span> from <a href="http://www.imdb.com/title/tt1024648/ratings" style="color: #70579d; text-decoration: initial;" title="54,311 IMDb users have given an average vote of 8.2/10"><span itemprop="ratingCount" style="line-height: 15px;">54,311</span> users</a> Metascore: <a href="http://www.imdb.com/title/tt1024648/criticreviews" style="color: #70579d; text-decoration: initial;" title="45 review excerpts provided by Metacritic.com"></a><a href="http://www.imdb.com/title/tt1024648/criticreviews" style="color: #70579d; text-decoration: initial;">86/100</a><br />Reviews: <a href="http://www.imdb.com/title/tt1024648/reviews" style="color: #70579d; text-decoration: initial;" title="273 IMDb user reviews"><span itemprop="reviewCount" style="line-height: 15px;">273</span> user</a> <span class="ghost" style="color: #cccccc; line-height: 15px;">|</span> <a href="http://www.imdb.com/title/tt1024648/externalreviews" style="color: #70579d; text-decoration: initial;" title="421 external critic reviews"><span itemprop="reviewCount" style="line-height: 15px;">421</span> critic</a> <span class="ghost" style="color: #cccccc; line-height: 15px;">|</span> <a href="http://www.imdb.com/title/tt1024648/criticreviews" style="color: #70579d; text-decoration: initial;" title="45 review excerpts provided by Metacritic.com">45</a> from <a href="http://www.metacritic.com/" style="color: #70579d; text-decoration: initial;" target="_blank">Metacritic.com</a></span></div>
<span style="font-family: Arial, Helvetica, sans-serif;">It's been a slow road for Ben Affleck in trying to make a serious name for himself since that stupendous flop of a movie, Gigi. Before Argo, there was The Town and the short film, Gimme Shelter, noteable mentions but nothing that gave him any acclaim. Now, Argo puts him at the forefront of the new Hollywood - edgy, realistic films that tackle contemporary issues with a new twist. </span><span style="font-family: Arial, Helvetica, sans-serif;">Argo tells the story of how the CIA devised a plan to extradite 6 American hostages from Iran after the US embassy was seized in 1979. The plan? To create a fake movie set in Iran and smuggles the hostages out with the film crew after wrap. From the trailer, the film has the same gritty texture I enjoyed so much in The Town and this time around, I think Affleck has got his story much more sewn together. Releasing this film in this particular era of our society will help the film's chances of being nominated, with recent stories like this continuously coming out of the Middle East affecting America. The film-within-a-film is always a hit with the Academy as well so it'll be interesting to see how far Affleck can go with this. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">2. Django Unchained - "Gentlemen. You had my curiosity. Now you have my attention."</span><br />
<span class="star-box-rating-label" style="color: #666666; font-size: 13px; font-weight: bold; line-height: 15px;"><span style="font-family: Arial, Helvetica, sans-serif;"><b style="color: #333333; line-height: normal;">Nominated for 5 Golden Globes.</b><span style="background-color: #efe3a4; color: #333333; font-weight: normal; line-height: normal;"> Another 11 wins & 12 nominations</span></span></span><br />
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<div class="rating rating-list" data-auth="BCYswrkPR4etPjU3Z3QZbxW1m5mLCq9h_zCTQ4S4xqHeetr6bvgx_Myr-sTn7ikMnw7QxV4qHtLsFWMLQzJzAbV30jwfcvYGG2J9D9Lx1zAtNQE" data-ga-identifier="title" id="tt1853728|imdb|0|0|title-maindetails" style="border-bottom-left-radius: 6px; border-bottom-right-radius: 6px; border-top-left-radius: 6px; border-top-right-radius: 6px; border: none; display: inline-block; height: 13px; padding: 3px 3px 1px 4px; width: 198px;" title="Users rated this 8.8/10 (28,323 votes) - click stars to rate">
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<span style="font-family: Arial, Helvetica, sans-serif;">Ratings: <strong><span itemprop="ratingValue" style="line-height: 15px;">8.8</span></strong><span class="mellow" style="color: #999999; line-height: 15px;">/<span itemprop="bestRating">10</span></span> from <a href="http://www.imdb.com/title/tt1853728/ratings" style="color: #70579d; text-decoration: initial;" title="28,323 IMDb users have given an average vote of 8.8/10"><span itemprop="ratingCount" style="line-height: 15px;">28,323</span> users</a> Metascore: <a href="http://www.imdb.com/title/tt1853728/criticreviews" style="color: #70579d; text-decoration: initial;" title="40 review excerpts provided by Metacritic.com"></a><a href="http://www.imdb.com/title/tt1853728/criticreviews" style="color: #70579d; text-decoration: initial;">80/100</a><br />Reviews: <a href="http://www.imdb.com/title/tt1853728/reviews" style="color: #70579d; text-decoration: initial;" title="170 IMDb user reviews"><span itemprop="reviewCount" style="line-height: 15px;">170</span> user</a> <span class="ghost" style="color: #cccccc; line-height: 15px;">|</span> <a href="http://www.imdb.com/title/tt1853728/externalreviews" style="color: #70579d; text-decoration: initial;" title="117 external critic reviews"><span itemprop="reviewCount" style="line-height: 15px;">117</span> critic</a> <span class="ghost" style="color: #cccccc; line-height: 15px;">|</span> <a href="http://www.imdb.com/title/tt1853728/criticreviews" style="color: #70579d; text-decoration: initial;" title="40 review excerpts provided by Metacritic.com">40</a> from <a href="http://www.metacritic.com/" style="color: #70579d; text-decoration: initial;" target="_blank">Metacritic.com</a></span></div>
<span style="font-family: Arial, Helvetica, sans-serif;">After a 3-year hiatus, Quentin Tarantino returns with yet another spine-chillingly gruesome and violent cinematic assault on the senses in the form of Django Unchained. This time around, he's taking on the Western genre with Jamie Foxx playing a slave who is hired by everyone's favourite Nazi (Christoph Waltz), as a bounty hunter. However, Foxx isn't interested in being manhandled for long as he navigates himself and his new boss towards plantation boss, Calvin Candie (played by Leonardio Di Caprio) who has Foxx's wife. Though notoriously sidelined by the Academy year after year, I believe Tarantino has a real chance this year, having taken on the nation's price genre and added his special style of insanity with a few stars to blinker those too prude to watch. He'll have to get over his obsession with violence though to ensure the story is more than just blood, guts and tears. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">3. Hitchcock - "I'm just a man hiding in the corner with a camera. Watching."</span><br />
<b style="color: #333333; font-family: Verdana, Arial, sans-serif; font-size: 13px;">Nominated for Golden Globe.</b><span style="background-color: #efe3a4; color: #333333; font-family: Verdana, Arial, sans-serif; font-size: 13px;"> Another 2 nominations</span><br />
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<div class="rating rating-list" data-auth="BCYlU_iRsrjpgGv_9zks2Q2j87cI5ncnK_pBhB2o3eQ5wCN2q3Unxu1Q7Xm6LkRDU9dzP7C2JrJ8YuVezoEcRXHzw8Spvt1WzYY_wEQH540L5QAMxhqg5KJBs57U02SD-B-X" data-ga-identifier="title" id="tt0975645|imdb|0|0|title-maindetails" style="border-bottom-left-radius: 6px; border-bottom-right-radius: 6px; border-top-left-radius: 6px; border-top-right-radius: 6px; border: none; display: inline-block; height: 13px; padding: 3px 3px 1px 4px; width: 198px;" title="Users rated this 7.3/10 (2,475 votes) - click stars to rate">
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Ratings: <strong><span itemprop="ratingValue" style="line-height: 15px;">7.3</span></strong><span class="mellow" style="color: #999999; line-height: 15px;">/<span itemprop="bestRating">10</span></span> from <a href="http://www.imdb.com/title/tt0975645/ratings" style="color: #70579d; text-decoration: initial;" title="2,475 IMDb users have given an average vote of 7.3/10"><span itemprop="ratingCount" style="line-height: 15px;">2,475</span> users</a> Metascore: <a href="http://www.imdb.com/title/tt0975645/criticreviews" style="color: #70579d; text-decoration: initial;" title="38 review excerpts provided by Metacritic.com"></a><a href="http://www.imdb.com/title/tt0975645/criticreviews" style="color: #70579d; text-decoration: initial;">56/100</a><br />
Reviews: <a href="http://www.imdb.com/title/tt0975645/reviews" style="color: #70579d; text-decoration: initial;" title="34 IMDb user reviews"><span itemprop="reviewCount" style="line-height: 15px;">34</span> user</a> <span class="ghost" style="color: #cccccc; line-height: 15px;">|</span> <a href="http://www.imdb.com/title/tt0975645/externalreviews" style="color: #70579d; text-decoration: initial;" title="145 external critic reviews"><span itemprop="reviewCount" style="line-height: 15px;">145</span> critic</a> <span class="ghost" style="color: #cccccc; line-height: 15px;">|</span> <a href="http://www.imdb.com/title/tt0975645/criticreviews" style="color: #70579d; text-decoration: initial;" title="38 review excerpts provided by Metacritic.com">38</a> from <a href="http://www.metacritic.com/" style="color: #70579d; text-decoration: initial;" target="_blank">Metacritic.com</a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Its the film movie freaks have been dying to see for as long as anyone can remember. The man who sparked a revival in the cinema and reminded us all what it means to go to the movies. Alfred Hitchcock was a god among men and a pain in the ass amongst his peers. Anyone who's ever taken a Film History unit will know this. But above it all, he made brilliant movies. The film that bears his name explores the life of this great filmmaker at a time defined by one of his greatest creation - Psycho. Many know the film but not the process behind its creation, the dramas and tragedies involved in Hitchock's life at the time that he had to overcome in order for us to hear those piercing screams coming from Janet Leigh's mouth. Its a film the Academy will love for its appreciation of an era long gone, a filmmaker non-existent in modern society, and a style of filmmaking that disappeared years ago. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">4. Lawless - </span><span style="font-family: Arial, Helvetica, sans-serif;">"I</span><span style="font-family: Arial, Helvetica, sans-serif;">t is not the violence that sets men apart. It is the distance he is prepared to go." </span><br />
<span style="background-color: #efe3a4; color: #333333; font-family: Verdana, Arial, sans-serif; font-size: 13px;">1 win & 3 nominations</span><br />
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<div class="rating rating-list" data-auth="BCYiXegj-Wkl5udkDq4lXqrMnedMuzTFnmH5fDrSbZe4XXTJfH3Iy8jn7YUBOIxoliP0vb97WQn-g9762mq9xHxjoVGzKVlA94DyHP9PZUVE_T8" data-ga-identifier="title" id="tt1212450|imdb|0|0|title-maindetails" style="border-bottom-left-radius: 6px; border-bottom-right-radius: 6px; border-top-left-radius: 6px; border-top-right-radius: 6px; border: none; display: inline-block; height: 13px; padding: 3px 3px 1px 4px; width: 198px;" title="Users rated this 7.3/10 (52,594 votes) - click stars to rate">
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Ratings: <strong><span itemprop="ratingValue" style="line-height: 15px;">7.3</span></strong><span class="mellow" style="color: #999999; line-height: 15px;">/<span itemprop="bestRating">10</span></span> from <a href="http://www.imdb.com/title/tt1212450/ratings" style="color: #70579d; text-decoration: initial;" title="52,594 IMDb users have given an average vote of 7.3/10"><span itemprop="ratingCount" style="line-height: 15px;">52,594</span> users</a> Metascore: <a href="http://www.imdb.com/title/tt1212450/criticreviews" style="color: #70579d; text-decoration: initial;" title="38 review excerpts provided by Metacritic.com"></a><a href="http://www.imdb.com/title/tt1212450/criticreviews" style="color: #70579d; text-decoration: initial;">58/100</a><br />
Reviews: <a href="http://www.imdb.com/title/tt1212450/reviews" style="color: #70579d; text-decoration: initial;" title="182 IMDb user reviews"><span itemprop="reviewCount" style="line-height: 15px;">182</span> user</a> <span class="ghost" style="color: #cccccc; line-height: 15px;">|</span> <a href="http://www.imdb.com/title/tt1212450/externalreviews" style="color: #70579d; text-decoration: initial;" title="255 external critic reviews"><span itemprop="reviewCount" style="line-height: 15px;">255</span> critic</a> <span class="ghost" style="color: #cccccc; line-height: 15px;">|</span> <a href="http://www.imdb.com/title/tt1212450/criticreviews" style="color: #70579d; text-decoration: initial;" title="38 review excerpts provided by Metacritic.com">38</a> from <a href="http://www.metacritic.com/" style="color: #70579d; text-decoration: initial;" target="_blank">Metacritic.com</a></div>
<span style="font-family: Arial, Helvetica, sans-serif;">I was fortunate to actually get to watch Lawless as opposed to the trailers of the previous nominations I've mentioned and I have to claim, this film is a contender. Not just for the strong American values and history the Academy love so much, but for the high-end production values and a direction which brings this true story to fruition in a way many fail to achieve. The film follows 3 brothers who participate in the black market trade of alcohol during the prohibition era of 1920-1933. As expected, threats and violence ensue leading to an epic shootout, the likes of which have not been seen since Butch Cassidy and the Sundance Kid. One Best Actor nomination is sure to be cemented for at least one of the cast, my hopes being on Tom Hardy who has shown again and again that he has a range and talent that far outshines many of his English cohorts. </span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif;">5. Les Miserables - "Life has killed a dream, I dreamed."</span><br />
<b style="color: #333333; font-family: Verdana, Arial, sans-serif; font-size: 13px;">Nominated for 4 Golden Globes.</b><span style="background-color: #efe3a4; color: #333333; font-family: Verdana, Arial, sans-serif; font-size: 13px;"> Another 14 wins & 44 nominations</span><br />
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<div class="rating rating-list" data-auth="BCYiU41mgNwi-39JpQiMAcAwaNJ_ipXv8KE-VbKA7LE9wx4q9Ua4Ioa2v0kDv4cwt4rQ1abigIim21HLQHxEsrjfGVliWMmROvBNi3_wj6YLX-Ry0I7YRO64Sn3Yp_JDfYZa" data-ga-identifier="title" id="tt1707386|imdb|0|0|title-maindetails" style="border-bottom-left-radius: 6px; border-bottom-right-radius: 6px; border-top-left-radius: 6px; border-top-right-radius: 6px; border: none; display: inline-block; height: 13px; padding: 3px 3px 1px 4px; width: 198px;" title="Users rated this 8.2/10 (27,916 votes) - click stars to rate">
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Ratings: <strong><span itemprop="ratingValue" style="line-height: 15px;">8.2</span></strong><span class="mellow" style="color: #999999; line-height: 15px;">/<span itemprop="bestRating">10</span></span> from <a href="http://www.imdb.com/title/tt1707386/ratings" style="color: #70579d; text-decoration: initial;" title="27,916 IMDb users have given an average vote of 8.2/10"><span itemprop="ratingCount" style="line-height: 15px;">27,916</span> users</a> Metascore: <a href="http://www.imdb.com/title/tt1707386/criticreviews" style="color: #70579d; text-decoration: initial;" title="40 review excerpts provided by Metacritic.com"></a><a href="http://www.imdb.com/title/tt1707386/criticreviews" style="color: #70579d; text-decoration: initial;">63/100</a><br />
Reviews: <a href="http://www.imdb.com/title/tt1707386/reviews" style="color: #70579d; text-decoration: initial;" title="266 IMDb user reviews"><span itemprop="reviewCount" style="line-height: 15px;">266</span> user</a> <span class="ghost" style="color: #cccccc; line-height: 15px;">|</span> <a href="http://www.imdb.com/title/tt1707386/externalreviews" style="color: #70579d; text-decoration: initial;" title="100 external critic reviews"><span itemprop="reviewCount" style="line-height: 15px;">100</span> critic</a> <span class="ghost" style="color: #cccccc; line-height: 15px;">|</span> <a href="http://www.imdb.com/title/tt1707386/criticreviews" style="color: #70579d; text-decoration: initial;" title="40 review excerpts provided by Metacritic.com">40</a> from <a href="http://www.metacritic.com/" style="color: #70579d; text-decoration: initial;" target="_blank">Metacritic.com</a></div>
<span style="font-family: Arial, Helvetica, sans-serif;">As much as I don't want to admit this film amongst my other nominess, I know full well that this epic will be included amongst the clan this year. Production value alone is what sets this film apart with a great attention to detail easily setting Les Mis apart from its opponents. For me, the film just did not capture story in a way I hoped it would. I know its a tricky narrative to navigate, given the book contains 1500 pages and the musical lasts for 3.5 hours itself; but I was sincerely hoping the cinematic version would have achieved the emotion that is rife within this story with a subtly defined by cinema. Alas, I feel this is not the case but I know that's an opinion and and not an educated assessment. For that, I know Les Mis will be in the nominees and has a great chance of taking out the main gong. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">6. Life of Pi - "The next part of the story you'll find hard to believe."</span><br />
<b style="color: #333333; font-family: Verdana, Arial, sans-serif; font-size: 13px;">Nominated for 3 Golden Globes.</b><span style="background-color: #efe3a4; color: #333333; font-family: Verdana, Arial, sans-serif; font-size: 13px;"> Another 11 wins & 25 nominations</span><br />
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<div class="rating rating-list" data-auth="BCYjxGYzjXPx9XP7h94OLCQVHTP38UsUeahG1v5R1i4pRLxrphTeCfVtQuLqdKQUVXNKGXA6ewvdW6B40jaI70lBGB4HOboOR77c1OBgzOzjRnOa4p4XICQROMTkYiJITfhu" data-ga-identifier="title" id="tt0454876|imdb|0|0|title-maindetails" style="border-bottom-left-radius: 6px; border-bottom-right-radius: 6px; border-top-left-radius: 6px; border-top-right-radius: 6px; border: none; display: inline-block; height: 13px; padding: 3px 3px 1px 4px; width: 198px;" title="Users rated this 8.3/10 (53,858 votes) - click stars to rate">
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Ratings: <strong><span itemprop="ratingValue" style="line-height: 15px;">8.3</span></strong><span class="mellow" style="color: #999999; line-height: 15px;">/<span itemprop="bestRating">10</span></span> from <a href="http://www.imdb.com/title/tt0454876/ratings" style="color: #70579d; text-decoration: initial;" title="53,858 IMDb users have given an average vote of 8.3/10"><span itemprop="ratingCount" style="line-height: 15px;">53,858</span> users</a> Metascore: <a href="http://www.imdb.com/title/tt0454876/criticreviews" style="color: #70579d; text-decoration: initial;" title="44 review excerpts provided by Metacritic.com"></a><a href="http://www.imdb.com/title/tt0454876/criticreviews" style="color: #70579d; text-decoration: initial;">79/100</a><br />
Reviews: <a href="http://www.imdb.com/title/tt0454876/reviews" style="color: #70579d; text-decoration: initial;" title="345 IMDb user reviews"><span itemprop="reviewCount" style="line-height: 15px;">345</span> user</a> <span class="ghost" style="color: #cccccc; line-height: 15px;">|</span> <a href="http://www.imdb.com/title/tt0454876/externalreviews" style="color: #70579d; text-decoration: initial;" title="302 external critic reviews"><span itemprop="reviewCount" style="line-height: 15px;">302</span> critic</a> <span class="ghost" style="color: #cccccc; line-height: 15px;">|</span> <a href="http://www.imdb.com/title/tt0454876/criticreviews" style="color: #70579d; text-decoration: initial;" title="44 review excerpts provided by Metacritic.com">44</a> from <a href="http://www.metacritic.com/" style="color: #70579d; text-decoration: initial;" target="_blank">Metacritic.com</a></div>
<span style="font-family: Arial, Helvetica, sans-serif;">Ang Lee's highly anticipated return to cinema yet again sets him up to be a major upset amongst the Best Director nominees at this year's Academy awards. Life of Pi was said to be the book that could never be adapted for film and yet, Lee has managed to take its impossible subject matter and turn it into a masterpiece. Life of Pi follows the story of a young man cast away at sea with the most unusual of fellow survivors - a Bengal tiger, a zebra, a hyena and an orangutan. The main pull of this film other than its story though is its amazing cinematography, captured beautifully by Claudio Miranda, a stunning visuality of a story that previously had only ever been seen in the mind's of the readers of the book. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">7. Lincoln - "Today, we will vote."</span><br />
<b style="color: #333333; font-family: Verdana, Arial, sans-serif; font-size: 13px;">Nominated for 7 Golden Globes.</b><span style="background-color: #efe3a4; color: #333333; font-family: Verdana, Arial, sans-serif; font-size: 13px;"> Another 14 wins & 43 nominations</span><br />
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Ratings: <strong><span itemprop="ratingValue" style="line-height: 15px;">8.1</span></strong><span class="mellow" style="color: #999999; line-height: 15px;">/<span itemprop="bestRating">10</span></span> from <a href="http://www.imdb.com/title/tt0443272/ratings" style="color: #70579d; text-decoration: initial;" title="26,635 IMDb users have given an average vote of 8.1/10"><span itemprop="ratingCount" style="line-height: 15px;">26,635</span> users</a> Metascore: <a href="http://www.imdb.com/title/tt0443272/criticreviews" style="color: #70579d; text-decoration: initial;" title="42 review excerpts provided by Metacritic.com"></a><a href="http://www.imdb.com/title/tt0443272/criticreviews" style="color: #70579d; text-decoration: initial;">86/100</a><br />
Reviews: <a href="http://www.imdb.com/title/tt0443272/reviews" style="color: #70579d; text-decoration: initial;" title="285 IMDb user reviews"><span itemprop="reviewCount" style="line-height: 15px;">285</span> user</a> <span class="ghost" style="color: #cccccc; line-height: 15px;">|</span> <a href="http://www.imdb.com/title/tt0443272/externalreviews" style="color: #70579d; text-decoration: initial;" title="201 external critic reviews"><span itemprop="reviewCount" style="line-height: 15px;">201</span> critic</a> <span class="ghost" style="color: #cccccc; line-height: 15px;">|</span> <a href="http://www.imdb.com/title/tt0443272/criticreviews" style="color: #70579d; text-decoration: initial;" title="42 review excerpts provided by Metacritic.com">42</a> from <a href="http://www.metacritic.com/" style="color: #70579d; text-decoration: initial;" target="_blank">Metacritic.com</a></div>
<span style="font-family: Arial, Helvetica, sans-serif;">Yet another great American story, Abraham Lincoln and the abolition of the slave trade still resides in the nation's memory as the biggest gamechanger in the history of the world. In a time rife with civil war, President Abraham Lincoln chose to change the course of his country against all odds... and won. Its the film that America has been waiting to see for years and now finally, Steven Spielberg has brought it to light. Daniel Day-Lewis shines again in the title role and many audience members will appreciate the extreme level of dedication he adopted to capturing the essence of this great historical figure just so. </span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif;">8. Moonrise Kingdom - "Jiminy Cricket, he flew the coop." </span><br />
<span class="star-box-rating-label" style="color: #666666; font-family: Verdana, Arial, sans-serif; font-size: 13px; font-weight: bold; line-height: 15px;"><b style="color: #333333; line-height: normal;">Nominated for Golden Globe.</b><span style="background-color: #efe3a4; color: #333333; font-weight: normal; line-height: normal;"> Another 11 wins & 29 nominations</span></span><br />
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Ratings: <strong><span itemprop="ratingValue" style="line-height: 15px;">7.9</span></strong><span class="mellow" style="color: #999999; line-height: 15px;">/<span itemprop="bestRating">10</span></span> from <a href="http://www.imdb.com/title/tt1748122/ratings" style="color: #70579d; text-decoration: initial;" title="78,794 IMDb users have given an average vote of 7.9/10"><span itemprop="ratingCount" style="line-height: 15px;">78,794</span> users</a> Metascore: <a href="http://www.imdb.com/title/tt1748122/criticreviews" style="color: #70579d; text-decoration: initial;" title="43 review excerpts provided by Metacritic.com"></a><a href="http://www.imdb.com/title/tt1748122/criticreviews" style="color: #70579d; text-decoration: initial;">84/100</a><br />
Reviews: <a href="http://www.imdb.com/title/tt1748122/reviews" style="color: #70579d; text-decoration: initial;" title="258 IMDb user reviews"><span itemprop="reviewCount" style="line-height: 15px;">258</span> user</a> <span class="ghost" style="color: #cccccc; line-height: 15px;">|</span> <a href="http://www.imdb.com/title/tt1748122/externalreviews" style="color: #70579d; text-decoration: initial;" title="363 external critic reviews"><span itemprop="reviewCount" style="line-height: 15px;">363</span> critic</a> <span class="ghost" style="color: #cccccc; line-height: 15px;">|</span> <a href="http://www.imdb.com/title/tt1748122/criticreviews" style="color: #70579d; text-decoration: initial;" title="43 review excerpts provided by Metacritic.com">43</a> from <a href="http://www.metacritic.com/" style="color: #70579d; text-decoration: initial;" target="_blank">Metacritic.com</a></div>
<span style="font-family: Arial, Helvetica, sans-serif;">If there's one filmmaker I can't stand more than Woody Allen, its Wes Anderson. Doesn't matter the cast, doesn't matter the story, I just don't like his style. That said, I know Moonrise Kingdom will be considered for the Best Picture nominees for the following reasons. First of all that this is Anderson's first picture since The Fantastic Mr Fox. I can see the Academy trying to collect the great director's of our time once again as they did back in 2009 to have a real showdown amongst the great. Secondly, the film is set in New England and again, American virtues are rife amongst this solid tale of young love and adventure (Huckleberry Finn springs to mind as inspiration). Whilst I may not be enamoured by Moonrise, I'm sure the Academy will and this will be included in Thursday's announcement. </span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif;">9. Quartet - "Fancy a little 'rumpy-pumpy'?... Qu'est ce que c'est 'rumpy-pumpy'?"</span><br />
<b style="color: #333333; font-family: Verdana, Arial, sans-serif; font-size: 13px;">Nominated for Golden Globe.</b><span style="background-color: #efe3a4; color: #333333; font-family: Verdana, Arial, sans-serif; font-size: 13px;"> Another 3 wins & 1 nomination</span><br />
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<div class="rating rating-list" data-auth="BCYnrCv96MeIS9jk_rmYzy5f51pHITE_tBs_rpho-eCF6IXsph0F_FAvsGnOB8xxusyrRglV_asEfukD1vxYRn8dgqEKuYw9x9jPRn1GRlVjirK2RIWOr6Z3Xo8PxxHxVJog" data-ga-identifier="title" id="tt1441951|imdb|0|0|title-maindetails" style="border-bottom-left-radius: 6px; border-bottom-right-radius: 6px; border-top-left-radius: 6px; border-top-right-radius: 6px; border: none; display: inline-block; height: 13px; padding: 3px 3px 1px 4px; width: 198px;" title="Users rated this 6.7/10 (767 votes) - click stars to rate">
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Ratings: <strong><span itemprop="ratingValue" style="line-height: 15px;">6.7</span></strong><span class="mellow" style="color: #999999; line-height: 15px;">/<span itemprop="bestRating">10</span></span> from <a href="http://www.imdb.com/title/tt1441951/ratings" style="color: #70579d; text-decoration: initial;" title="767 IMDb users have given an average vote of 6.7/10"><span itemprop="ratingCount" style="line-height: 15px;">767</span> users</a> Metascore: <a href="http://www.imdb.com/title/tt1441951/criticreviews" style="color: #70579d; text-decoration: initial;" title="8 review excerpts provided by Metacritic.com"></a><a href="http://www.imdb.com/title/tt1441951/criticreviews" style="color: #70579d; text-decoration: initial;">56/100</a><br />
Reviews: <a href="http://www.imdb.com/title/tt1441951/reviews" style="color: #70579d; text-decoration: initial;" title="23 IMDb user reviews"><span itemprop="reviewCount" style="line-height: 15px;">23</span> user</a> <span class="ghost" style="color: #cccccc; line-height: 15px;">|</span> <a href="http://www.imdb.com/title/tt1441951/externalreviews" style="color: #70579d; text-decoration: initial;" title="46 external critic reviews"><span itemprop="reviewCount" style="line-height: 15px;">46</span> critic</a> <span class="ghost" style="color: #cccccc; line-height: 15px;">|</span> <a href="http://www.imdb.com/title/tt1441951/criticreviews" style="color: #70579d; text-decoration: initial;" title="8 review excerpts provided by Metacritic.com">8</a> from <a href="http://www.metacritic.com/" style="color: #70579d; text-decoration: initial;" target="_blank">Metacritic.com</a></div>
<span style="font-family: Arial, Helvetica, sans-serif;">I'm not one to give first-time director's much credit but considering the strength of cast, story and location that this film had, Dustin Hoffman has a strong chance of having this film nominated. There were parts of the film that amplified his inexperiences as a director (yes, even at the tender age of 75, you can still be inexperienced), but the remainder was a pleasant story, with amazing moments of comic timing mixed in with reflective gestures on life, love and liberty - all in the name of old age. This may or may not be a strong choice for a nomination but I think the Academy may look fondly on it. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">10. Zero Dark Thirty - "There's a 60% probability he's there...It's 100%, I know certainty freaks you guys out but its 100."</span><br />
<b style="color: #333333; font-family: Verdana, Arial, sans-serif; font-size: 13px;">Nominated for 4 Golden Globes.</b><span style="background-color: #efe3a4; color: #333333; font-family: Verdana, Arial, sans-serif; font-size: 13px;"> Another 21 wins & 29 nominations</span><br />
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Ratings: <strong><span itemprop="ratingValue" style="line-height: 15px;">7.5</span></strong><span class="mellow" style="color: #999999; line-height: 15px;">/<span itemprop="bestRating">10</span></span> from <a href="http://www.imdb.com/title/tt1790885/ratings" style="color: #70579d; text-decoration: initial;" title="8,874 IMDb users have given an average vote of 7.5/10"><span itemprop="ratingCount" style="line-height: 15px;">8,874</span> users</a> Metascore: <a href="http://www.imdb.com/title/tt1790885/criticreviews" style="color: #70579d; text-decoration: initial;" title="34 review excerpts provided by Metacritic.com"></a><a href="http://www.imdb.com/title/tt1790885/criticreviews" style="color: #70579d; text-decoration: initial;">95/100</a><br />
Reviews: <a href="http://www.imdb.com/title/tt1790885/reviews" style="color: #70579d; text-decoration: initial;" title="70 IMDb user reviews"><span itemprop="reviewCount" style="line-height: 15px;">70</span> user</a> <span class="ghost" style="color: #cccccc; line-height: 15px;">|</span> <a href="http://www.imdb.com/title/tt1790885/externalreviews" style="color: #70579d; text-decoration: initial;" title="90 external critic reviews"><span itemprop="reviewCount" style="line-height: 15px;">90</span> critic</a> <span class="ghost" style="color: #cccccc; line-height: 15px;">|</span> <a href="http://www.imdb.com/title/tt1790885/criticreviews" style="color: #70579d; text-decoration: initial;" title="34 review excerpts provided by Metacritic.com">34</a> from <a href="http://www.metacritic.com/" style="color: #70579d; text-decoration: initial;" target="_blank">Metacritic.com</a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">After her major success as a filmmaker in 2009 with The Hurt Locker, Kathryn Bigelow returns to her favourite subject matter with Zero Dark Thirty, an action-thriller centred around one of America's greatest military triumphs - the capture of Osama Bin Laden. For some, it was an emotional end to a journey gone too long. For others, it was just the start of a whole new war. Bigelow artfully explores this amazing story through Jessica Chastain's character, Maya, the human link to an otherwise objective and hard-edged tale of men fighting in a foreign land to capture the evil master. This film will definitely be a contender for Best Picture. If its not, I expect the Academy will likely to be stoned. A film with such power and representation of one of the greatest moments in American history cannot go unnoticed. </span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5251699706868501165.post-30334581757610871802012-12-18T21:58:00.002+08:002014-08-30T18:42:08.492+08:00Skyfall - Old dog. New Tricks.<div class="separator" style="clear: both; text-align: center;">
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I had heard a lot from friends and family about their impressions of <a href="http://www.skyfall-movie.com/site/">Skyfall</a>. Some with film backgrounds, some without, but I can honestly say their was a severe divide between everyone about this film. Some absolutely hated it whilst others thought it was the best Bond film yet. Needless to say, I went into that cinema with mixed emotions.<br />
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Thankfully, these soon dissipated after an enthralling action sequence which started off the film in good strides. Motorcycles being thrown at cameras and riding across rooftops; Bond and his assailant committing an epic train fight stunt; and a thrilling cliff hanger right before the opening titles, all told the audience the old Bond was back with some new tricks.
The impressive detail to <a href="http://www.latimes.com/entertainment/envelope/la-en-new-turf-skyfall-life-of-pi-20121218,0,3637690.story">cinematography</a>, set design, and editing were absolute standouts amongst all the production values for Skyfall and the heads of these departments should be extremely proud. Continuity and makeup were lacking precision in some scenes but that's forgivable in light of the film's scope and vision. Speaking of, Sam Mendes' exceptional directing skills shone throughout this film, with his intentions clearly sustained for the film's entirety. Acting gongs must be given out to <a href="http://www.heraldsun.com.au/entertainment/movies/bardem-is-just-good-at-being-bad/story-e6frf9h6-1226521758242">Javier Bardem</a> for his spine-chilling portrayal of Tiago Rodriguez, a name I won't be forgetting in a while, and <a href="http://www.dedicatedtodaniel.com/">Daniel Craig</a> of course, for managing to show us Bond's various weaknesses in the short time he was given, amongst all the bravado we know him for.<br />
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Finally, and possibly the most impressive element of the whole film, was its introduction of "the new era", a term constantly referred to throughout the film. The point was well-made by the production team that the Bond we all know and love is no more. A world of guns, grenades and Bond girls is no match for the new wave of "cyber crime" we are experiencing each day. As the "new" Q comments "<a href="http://www.rottentomatoes.com/m/skyfall/quotes/">I can do more damage on my laptop, sitting in my pajamas, before my first cup of Earl Grey than you can do a year in the field.</a>" Bond-lovers who expect the crew behind this legendary story to maintain the "old ways" are told repeatedly throughout Skyfall they are foolish for expecting such a thing when the world is constantly changing and its up to Bond and Mi6 to keep up the best way they can.<br />
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Skyfall is for me, everything I love in a Bond film. Action scenes were a step above the precedent; new characters provided a refreshing change to an old narrative; and the focus and care taken by the production crew in all their capacities is inspirational. Its films like these that makes me want to work in the film industry. Well done 007. Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5251699706868501165.post-8682241282395031332012-12-16T21:57:00.001+08:002014-08-30T18:42:08.507+08:00TANGO UNDERPANTS<iframe src="http://player.vimeo.com/video/55339571?title=0&byline=0&portrait=0&badge=0&color=c9ff23" width="410" height="299" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe>
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For all interested, Tango Underpants is a short film I'm currently working on in Perth, WA that has just achieved a sensational crowdfunding result, raising over $25,000 in under 24 hours.<br />
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The film stars Emma Booth who plays Carolyn, a down on her luck lady of intrigue who travels to Buenos Aires after a messy break-up from her douche-bag boyfriend. There she discovers the wonderful land of the Tango but before she can participate in its magic, she must first learn how to rekindle her mojo and in order to do, must find the perfect underpants.<br />
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Tango Underpants is still looking for amazing supporters to assist in this film's production. If you are interested in contributing, head to their Pozible page now.<br />
<a href="http://www.pozible.com/index.php/archive/index/13121/description/0/0#.UM3SrbTZN2U.blogger">PLEDGE YOUR SUPPORT NOW!!!</a>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5251699706868501165.post-37567199797418000462012-11-01T22:29:00.000+08:002014-08-30T18:36:41.124+08:00Everyone's Talking About...Redfern Now<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Verdana, sans-serif; font-size: x-small;">Ever since I heard that this show was in development, I have been dying to see it. Finally, someone got around to producing an Australian TV show featuring real Australians in the form of Redfern, Sydney's indigenous community. This show is not your typical in-your-face exposé on indigenous life but rather an intellectual look at the modern day lives of this individual group. </span></div>
<span style="font-family: Verdana, sans-serif; font-size: x-small;"><br /><a href="http://www.abc.net.au/tv/redfernnow/">Redfern Now</a> is a 6-part series produced for the <a href="http://www.abc.net.au/tv/">ABC</a> by <a href="http://www.blackfellafilms.com.au/">Blackfella Films</a> that tells the stories of six inner-city households in one street. In each episode, one seemingly insignificant event will completely change the course of the main characters' daily journeys. Family dramas, relationship problems, money troubles and everyday societal issues are just a few of the plot-lines explored in this series. Working closely with Jimmy McGovern (Story Producer), the producers of RN have created a series that closely follows the successful formula of the show which catapulted McGovern's career, <a href="http://www.bbc.co.uk/programmes/b008cbds">The Street</a>. <br /><br />The thing that worked so well for me with Redfern Now was its impecable production values. Location, production design, editing, sound design and filming style are just a few elements that caught my eye and held it throughout the duration of the first episode. As a rule, I am instantly turned off my any television show or feature film that has a disregard for fine form. Redfern Now does not belong in this category. In fact, I would go so far as to say that the sheer amount of work that has gone into making this show look so damn good is a lot better than most of the drivel existing on mainstream Australian television right now (Yes, Channel 7. I am looking at you and <a href="http://au.tv.yahoo.com/winners-and-losers/">Winners and Losers</a>) <br /><br />Many critics today will be launching into how much of a revolution Redfern Now is for the indigenous film and television community. This is a load of wirrilkaru crap. The reality is, indigenous production houses such as Blackfella Films have made some of Australia's best movies of late. In fact, our most successful home exports, particularly in the festival circuits, have come from indigenous producers. Samson and Delilah, Ten Canoes, The Sapphires, and Ivan Sen's Toomelah which was a big hit at the Sydney Film Festival last year. At the end of the day, this is a TV series to educate, inform, entertain and abolish the divide between what is "Australian" and what is "Indigenous." For me, as long as its all good TV, I don't care what you call it. </span><br />
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<span style="font-family: Verdana, sans-serif; font-size: x-small;">Redfern Now screens Thursday on ABC1 at 8:30pm. </span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5251699706868501165.post-47556602578167121592012-10-28T17:42:00.000+08:002014-08-30T18:42:08.495+08:00Looper<div class="separator" style="clear: both; text-align: center;">
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WARNING: SPOILER ALERT<br />
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In the same way hundreds of critics applauded Hitchcock for <i>Psycho, </i>Scorsese for <i>Good Guys</i>, and Tarantino for <i>Pulp Fiction</i>, this movie is just one of those amazing films that needs to be written about.<br />
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<a href="http://www.imdb.com/title/tt1276104/">Looper</a> tells a twisted tale of time travel, assassinations and violent ends for violent beings but most of all, explores the bigger picture of how we as humans battle ourselves each day to determine what is right for the future. Starring Bruce Willis, Joseph Gordon-Levitt and Emily Blunt (who can not be said to be a "star" of the movie as such considering she doesn't rock up until halfway through), the film tackles many complicated themes with an equally complicated plot, the two points I will be focusing on for this analysis. There are so many amazing qualities of this movie that can be discussed - from its mise-en-scene; to its cliche-free script; to the beautiful cinematography achieved by <a href="http://yedlin.net/">Steve Yedlin</a> - <a href="http://loopermovie.tumblr.com/">Looper</a> has it all. But for me, it really was the way it dealt with some rather far-fetched themes with a plot that physically had me on the end of my seat in the last half hour that I find most fascinating.<br />
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The film's thematic development at first centres around the stories initial prognosis - "loopers" are hired as assassins in the year 2044 to kill criminal associates sent back in time from the year 2074. As a consequence of this however, loopers are warned that one day their loops will be closed meaning they will be awarded a large some of money to live out the last 30 years of their life until 2074 where they are sent back to themselves to be killed. Don't worry: it gets more complicated that that. Gordon-Levitt's character is your typical assassin cum vagabond - sly, cold, and selfish - he has no interest in the world around him or the people in it, established in the first scene where he trades his best friend's life in order to remain in possession of his wealth - first theme: money over life. This isn't dealt with in the same way other sci-fi movies usually treat this theme where money is the be all and end all of existence. That is overridden by the ideal put forth over and over again that protocol is more important than ever, no matter who you are or what you do. So when Gordon-Levitt's character meets himself at his usual looper kill-spot, his inability to remove himself from the equation leads to dramatic consequences and the next lead in the story.<br />
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From here we are introduced to Bruce Willis' character, a 30-plus version of Gordon-Levitt's who has a secret agenda and a wealth of memories to overpower his younger self. That age-old battle between young and old (pardon the pun) is explored intricately in a scene between both characters at a local diner, a grounding magnet for a plot that is starting to get slightly out of hand. Levitt's character receives a strong lecture from Willis' about his self-centred behaviour and his inability to see beyond his own personal needs for that of his future self. Levitt argues that because of this knowledge he will be able to change the future just by carrying out the task he should have done before Willis' managed to escape, but this plan is thwarted when the criminal syndicate at the centre of this whole debacle interrupts their joyous reunion.<br />
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Enter Emily Blunt, a hard-nut in the middle of nowhere protecting what seems to be just a bunch of sugar canes and a rickety old house with her son, Sid. Levitt's character seeks solace with the small family and in return, provides protection against the men planning to come after him. It is at this point we discover the real reason behind Willis' return to the past which involves Blunt's son who he believes is "the Rainmaker", a force so powerful in 2074, he has managed to take control of all 5 counties without a single army. All Blunt and Levitt know is that Willis is planning on killing the boy to prevent that from happening as Sid is the younger version of the Rainmaker, a fact we do not yet know is true until a larger event later in the movie (which I shall keep a secret for all of you already holding your breath). It is at this point the movie ventures into that done-to-death ideal of the power of a mother's love and how it can influence a young boy's upbringing but how Looper does it differently is by juxtaposing the two pasts of Levitt's character and Sid, an important moment that becomes much clearer in the movies finale. The film asks, what resolutions can be concluded when this love is not evident during a child's upbringing.<br />
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The themes within this film are complicated and multiple hence why director <a href="http://www.rcjohnso.com/">Rian Johnson</a>'s skill in giving us all plenty of time to catch up on who and what is important to remember is a blessing for those a little behind the 8-ball. The film won't appeal to those who never got Inception - its not as complicated but if you miss 5 minutes, you won't have time to catch up before the end. In saying that, the plot handles the whole time-travel issue with excellent precision, by not focusing too much on the future for a change and rather focusing on the past and how it can influence the future. A small number of locales also help with this as we begin to recognise the importance of certain locations over others, assisting with anticipation and the stringing together of certain elements, the train station and diner being one of them. Finally, the noir-ish tone to this film lets the audience guess a little how certain things are going to pan out meaning that whilst they're watching, they're also able to forge a few ideas in their head which are then supported by what happens next in the film. Films I'd say that don't do this so well include the <i>Zodiac Killer </i>and <i>Shutter Island</i>.<br />
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My friend was not a fan of this film after the credits rolled, complaining about the fact that there were not enough twists to keep one occupied however, I disagreed with her in that the original premise of the film was not to stupify or confuse the audience, leading to an lightbulb moment at the end - but was to guide us all to the same conclusion which was the one played out on screen; the only conclusion that one could have come to in that particular position. Strong performances from Blunt and Gordon-Levitt need to be acknowledged as well as that gorgeous editing by <a href="http://www.ranker.com/list/films-edited-by-bob-ducsay/reference">Bob Ducsay</a> who can coordinate timing like a sniper. I give this film a strong 4 stars and sincerely hope it receives some Oscar nominations if for nothing else than editing and cinematography and possibly best original screenplay.
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5251699706868501165.post-60841491719220986942012-09-06T21:31:00.000+08:002014-08-30T18:43:24.619+08:00What I'm WatchingI've been terrible at keeping up with this for too long now so I just decided to get straight back into it with no more apologies but lots of exciting things to keep you entertained.<br />
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This week, I wanted to give you an idea of which TV shows were currently keeping me occupied/sane in my busy hectic life. Some are local; some are international; some are good; and some are so bad it hurts but you just can't stop watching them. Tell me if you agree with what's featured below.<br />
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<li><a href="http://www.nbc.com/law-and-order-special-victims-unit/">Law and Order: SVU Season 12</a></li>
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My love affair with LAO:SVU has spanned a good decade now but I have to admit that it has not always been constant. With the intermittent broadcasts of each season on Channel Ten at different times/days/dates etc I've found it hard to keep up with the latest season. However, when I found out Det. Elliot Stabler had left this "elite squad" for good, I had to get back into it.<br />
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<li><a href="http://www.hbo.com/game-of-thrones/index.html">Game of Thrones Season 1</a></li>
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I'm majorly behind the eight-ball with this one but the idea of feuding kingdoms and fantasy worlds just really didn't push my buttons. How wrong of me. GOT has to be one of the best TV series I've seen in a long time. The production value on this baby alone is enough to keep you watching but the clever intertwining of stories and plotlines has also been cleverly mastered right until the very end. I can't wait to start season 2.<br />
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<li><a href="http://www.itv.com/essex/">The Only Way Is Essex Season 1</a></li>
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Who can resist the glamour, the style and the flair of England's most outrageous city. Having cottoned on to the show late last year during season 3, I decided to return to its original roots to see how on earth something like this got started. Another reason was to see Mark Wright who signed off at the end of S3 thus ending my lubricious love affair which he is not aware of in any form.<br />
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<li><a href="http://ten.com.au/pubertyblues.htm">Puberty Blues </a></li>
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This was a movie that redefined my teenage experience, made me look at life differently but most importantly, made me realise that everything will be ok. Channel Ten and my favorite production house Southern Star have done an amazing job of converting one of Australia's most iconic movie into a short TV series that has got the whole nation revisiting the days of yore where a "skank" was a "moll", girls were only good for Chiko rolls and an occasional root, and you could guarantee your parents weren't up to much better.<br />
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5251699706868501165.post-7595490288007071192012-05-17T23:17:00.001+08:002014-08-30T18:42:08.504+08:00Wish You Were Here<div class="separator" style="clear: both; text-align: center;">
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I know I'm a bit biased when it comes to the savants behind the <a href="http://www.aquariusfilms.com.au/">Aquarius Films</a> and <a href="http://bluetonguefilms.com/">Blue-Tongue Films</a> collective but I can't help it: these guys are just too damn good!<br />
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<a href="http://www.hopscotchfilms.com.au/films/out-now/wishyouwerehere-movie/">Wish You Were Here</a> is an emotional roller-coaster that explores the varying reactions of human beings when they are faced with turmoil. Felicity Price (co-writer with husband Kieran Darcy-Smith) plays Alice, a pregnant, formidable mother who discovers after returning from holiday in Cambodia that her husband, Dave(Joel Edgerton) had an affair whilst on the trip. It is the who rather than the how that causes the most drama as the "other woman" was Alice's younger, crazier sister Stef(Teresa Palmer). This love-triangle drama is framed by the wittingly suspenseful disappearance of Stef's new boyfriend, Jeremy(Antony Starr), who vanishes during their final days in Cambodia seemingly without a trace.<br />
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Darcy-Smith (DS) and the crew behind WYWH play the audience brilliantly: from their calculating publicity strategy to play up the disappearance of Jeremy over the main drama revolving around Dave and Alice's strained relationship; to the eventual unfolding of the film's overall story which happens as if pages of a book had been torn from the spine and fluttered on the ground, only for the reader to read them in whatever order he found them. It is a brilliant way to tell films that turns the traditional circular narrative completely on its head. DS and Felicity Price have a delightful way of writing which encourages the audience to view the narrative from all points of view. When you believe you have sided with one character, something happens next to completely change your allegiance and before you know it, you're rooting for the other side.<br />
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The cast of this film is also well selected however, I believe some characters (and their corresponding actors) were downplayed a little too much for instance, the character of Stef and our lack of ability to experience her pain and grief and the loss of her new love. Of course, this is all done within reason which the viewer discovers towards the end of the film when we find out that Jeremy and Stef were only new flames, not old embers like Alice and Dave which, whilst it sounds cruel to say, doesn't encourage the audience to feel as sympathetic for their romance being cut short considering it only lasted 6 weeks. Still, Teresa and Antony both give it their all despite their limited screen time which only adds to Joel Edgerton and Felicity Price's performances who play their characters effectively and with a great sense of knowledge about the inner workings of their characters' minds. Its very difficult to watch actors who are inwardly judging their own roles but there is none of that from these two leads. This may come down to Felicity's affiliation with the story from the writing stage but at lot more can be attributed to her as a great actress, as it can with Joel and his capabilities.<br />
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The final icing on the cake for this gorgeous film is its photography, orchestrated by <a href="http://www.imdb.com/name/nm1718906/">Jules O'Loughlin</a>. The warm, summeriness of Cambodia is offset by the unusually/usually cold harsh Sydney landscape which raises the question about which location is safer for the characters. Extreme depths of field were used ingeniously to capture both feelings and frames that would complement the lighting or surroundings of the scene. And in an untraditionally long title sequence, the vibrancy of Cambodia's villages, history and lifestyle is captured adoringly by a soft light and even softer range of close ups and midshots, ultimately contradicting in light of the films tragic ending.<br />
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I mean it when I say I'm in love with these guys. Their spirit and utter determination to create films that are different and against the grain is a thing to be inspired by. The fact that they have such a huge support network amongst themselves is a great way of making films in Australia which I feel is often too defined by the Tall-Poppy syndrome. Encouraging one another to make outstanding work is a much more effective way of producing beautiful films like Wish You Were Here than by pointing out everyone's flaws and mistakes. All I can say is that I am in love with Blue-Tongue Films and Aquarius Films and would give my Apple MacBook Pro to work with them.<br />
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<a href="http://www.google.com.au/movies?near=2000&hl=en&sort=1&mid=ca346e9dcfbfcb27&ei=2ha1T72WAcuRiQes86SFAw">Wish You Were Here</a> was released April 25 2012.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5251699706868501165.post-12935131944594411852012-05-17T09:46:00.000+08:002014-08-30T13:40:35.929+08:00Everyone's Talking About... The Future of TVLoving this incredibly insightful commentary from TV Addict about the latest changes in television trends in the US. Hope our networks here in Aus cotton on soon.
<iframe align="center" height="600" src="http://www.thetvaddict.com/2012/02/23/the-collapse-of-primetime-television-where-are-television-shows-going-wrong/" width="450"></iframe>Unknownnoreply@blogger.com0