Friday, April 20, 2012

Top Films Of...April

I have decided each month to post the top 5 films for the month that I believe are worth watching. These could be anything from the latest Hollywood blockbuster to a new release DVD that's just hit Civic Video. Here's what I'm looking forward to for April:

1. Wish You Were Here
ABSOLUTELY THE MOST EXCITING FILM OF THE YEAR!!!!! With the Blue-Tongue Films guys behind almost every aspect of this production plus the wonderful mind of Angie Fielder from Aquarius Films, this one is set to be a stunner.
2. The Hunger Games
After all the hype (and box-office success) one almost has to go watch this film purely so that you know what the difference is between a "tribute" and a "victor". Or at least so that you can look cool in front of your kids sister (come on, we all know that was the only reason you watched Twilight. Right?)
3. The Pirates! Band of Misfits
It's not everyday that you get to witness some of the best stop-motion animation this world has ever made. That's why (despite its kooky story and subject matter) I am planning to make this movie a must see on my list for April. With the makers of Chicken Run and Wallace and Gromit behind this extravanganza, what more could you want?
4. Salmon Fishing In The Yemen
Emily Blunt. Ewan MacGregor. What more needs to be said? Other than title which I believe, speaks for itself.
5. 21 Jump Street
Absolutely one of THE best movies I have seen so far this year. The editing, soundtrack, concept and acting were all brilliantly executed to entertain my fledgling 22 year old brain, which has a concentration problem bigger than Venus and a habit of resorting to one's iPhone if things get a bit boring. None of that ensued in the screening I attended of this film. Everyone from miles around could be heard laughing their asses off to the brilliant one-liners and hilarious gags on screen. GO SEE IT!


Back In The Saddle


I have come to find that unless one is getting paid, it is exceptionally difficult to maintain a consistent stream of posts for one's blog.

At least that's my excuse for now.

The reality is the past 2 months have been a rollercoaster ride of existential dilemmas, personal difficulties and helping the family business develop whilst neglecting/nurturing my own career. I won't go into the details as I like to keep that part of my life private but it basically meant that my blog has been extremely abandoned. Sorry Blog.

To get back into though, I thought I might give you a little indication of what I have in store for the next few months. There are many exciting things ahead for me both personally and professionally and I'm hoping to share these experiences as they happen on this very platform.

One of these experiences was the return of one of my closest friends, Ella O, a crazy, utterly unique individual whose career reads similar to mine over the past 4 years. The "return" was from her 3 month internship at Channel 7 in Sydney during which she was fortunate to work on such programs as Border Security and Home and Away and assist the production team in developing their new bout of programs for the year. She has an eclectic style in anything she does. Her vision on life is extremely exciting to witness and together, we have decided to use our talents and strengths to get a bit creative in this arty black-hole which is Perth and make something cool. From short films to video reviews of places to go, we decided we wanted to make anything and everything interesting, funky and a bit different. Stay tuned.

On top of that, I have finally come up with a plan for the rest of the year. I have had this idea for a while now but never really had the gumption/guts to go ahead with it. Plus, I was also very aware of the reactions that many people in my life would have once this decision was announced. What I am talking about is "The Move", the penultimate decision that every wannabe-director/producer/actress makes to move to the Big H and see how well their cards play out. Hollywood is like a children's playground - exceptionally fun to be in once you're there but can be terribly daunting from the outside (have you ever watched a bunch of children scrambling over the monkey bars? Scary!)

My theory is that no matter where I go, I will have to make it somewhere. Sydney, Melbourne, London or LA, I have to start somewhere. When considering the pathway between where I could choose to start and where I ultimately want to end up, it makes sense to recognise that the shortest would be moving straight to LA. I know my chances, don't get my wrong. I am not delusional in anyway. I am merely going to save up over the next 8 months, head over for 3 months and try my luck. You never know. I may get a job straight away. I may waste $10,000. Either way, I'm young, fit and ready to work. With that plus a good attitude, I'm hoping the rest will all fall together.

So there you have my two big plans so far. Along the way, I will continue to research and reflect in this blog as a means of keeping my knowledge fresh and you all entertained. I would also love to know what everyone's thoughts are on my idea to move to LA as I would appreciate any advice. For now, check out some of the best films out now that I think you should go see ASAP.

Wednesday, February 1, 2012

Everybody's Talking About ... Red Dog


Yes, I know I'm behind the times in many ways on this blog and particularly with this movie but I was strictly instructed by my mother 2 months ago NOT to watch this movie until I was home for Christmas. There's a small tradition with my family in which we all get together and watch a film that none of the 6 of us have yet seen (a slightly impossible feat considering the number of movies this family watches). Most of the time this is just an empty threat and everyone in our family goes ahead and watches whatever the chosen film is in their own sweet time anyway but for some divine reason this year, Red Dog was left untouched by our wandering eyes.

Red Dog is a film I have been meaning to watch all year due to its unexpected home-grown box office success. Within 6 weeks, this little Aussie film had managed to acquire over $16m at the box office and to date, has raised $21m. To this day, there are only a select number of Australian films to have achieved such a feat including Moulin Rouge, Happy Feet, and Crocodile Dundee. But what was it about this little film and its canine star that riveted audiences across the country. Having now watched the films, these are my top 5 reasons as to how the filmmakers got it right:

1. The Outback
Crocodile Dundee. Wolf Creek. The Adventures of Priscilla, Queen of the Desert. Australia.
There is an undeniable link between these movies, all of whom have had considerable success around the world and in their home country, and that is their portrayal of this vast, great land. Whether its murderous psychopaths on long, barren roads, or flamboyant drag queens in Alice Springs; some would say that the most positively received Australian films are the ones that include some reference to our home country. Red Dog is no exception. In parts possibly overdoing it slightly, the film makes great use of highlighting the culture and lifestyles of the North Western communities of WA. Almost like a documentary, these places are depicted as remote, isolated areas of existence that only the brave would venture to. Like a patch of the Amazon, there is an untouchability effect to this country that all Australians understand. Red Dog respects this in both its visual and narrative depiction of the setting and I believe it is for this reason that Australia finally got off its arse and wandered to the theatre to support one of its own.

2. The Animals
Enough said. Every successful Aussie film almost always features cute, furry animals. Babe. Happy Feet. Even The Man From Snowy River. All star charismatic, courageous four-footed species that undoubtedly save the day. Red Dog's undeniably show-stealing star, Koko, embodies the right blend of animal and human qualities that pull and audience in. He's funny without trying to be; loyal without being clingy; respectful when it's right; and most importantly, not afraid to stand up for what he believes in. You're probably thinking how can one animal manage to pull this off but with the right facial expressions (yes, dogs do have them), and a few nifty camera angles, the message is pumped home. And most importantly, everyone knows that dog is man's best friend.

3. The Sob Story
Boy moves to town. Boy makes only friend in dog. Boy meets girl. Fall in love. Boy dies. Dog tries to find him. I could not believe how much that last part took up of the whole movie nor could I believe the profound effect it was having on not just me, but my family as well. For a solid 10 minutes of the entire 90 minute film, this poor mutt waits for his deceased owner to come home, then treks across the whole state to try and find him. Throw in a bit of hard-hitting storytelling from one of your miners impersonating said dog, and you've got tears galore. By weaving a series of beautifully shot vignettes of the WA landscape with a cleverly scripted voiceover, the filmmakers managed to draw tears from the eyes of my family and I that I had been deliberately trying to repress in the whole film (knowing full well that they were going to come at some point). There are many examples I can conjure of films that use The Sob Story to enhance the narrative but you've probably got a few in your head already. Needless to say, Dog+Dead Owner+ Visually Enhancing Montage=Audience hooked till the very end.

4. The International Relations
The thing that Australians hate the most I have realised is films that are "too-Australian." What I mean by that is films that look just a bit too closely at ourselves, pointing out our flaws (which we do naturally as a nation) and reminding us of how different we are from the rest of the world. We don't like that and would rather prefer to be held in the same light as any other country, particularly America (who we are still striving to become) and the UK (who we are desperately trying to separate ourselves from). Red Dog uses the mining community to promote a sense of "universality" within the film. This not only initiates an international link to the film for outside countries, but also means that Australian audiences don't feel so isolated in their thinking. What I mean by this is that if Australians feel their thoughts on a film are the same as what other countries would be, then they are ok about them. For some reason, we only feel validated within our own thoughts if the rest of the world agrees with them. That's the reason why we become so obsessed with the latest international craze rather than one of our own from Down Under. We like to think that other countries are interested in us. If not, then we are not interested in ourselves. Red Dog has used the internationally represented mining community of Dampier to better its chances of both international and Australian audiences developing a relationship with the narrative.

5. The Resemblance
Having seen many Australian films before in my lifetime and thoroughly enjoyed MOST of them (there have been some TERRIBLE creations from our crazy Ocker film nuts), the main trend I can see in Red Dog is the undeniable Aussie-ness upon the screen. I've spoken so far about what elements of this film have made it such a financially and emotionally attractive option down at Blockbuster but for all Australian films, I really do feel I can say its purely down to the fact that we have a unique style and we love to use it. Retro editing techniques, blends of mediums, a gorgeous soundtrack, coupled with even more gorgeous cast members, all combine to produce really effective, enjoyable Aussie films and Red Dog is no exception.

At the end of the day, I can talk as much as the next "professional" about Red Dog and how it became such a huge success but at the end of the day, no amount of analysing or philosophising is going to be able to assit future film producers in nailing that magic equation. We are a fickly bunch us Aussies and I think the number one think we don't like is being told what we do like. All credit goes to the producers of Red Dog for this special technique in not force-feeding us with a thousand reasons to go see this movie. Like the Yarra river, word-of-mouth slowly trickled around the country promoting this little beauty and in the end, the results spoke for themselves. Go see this film and enjoy it at whatever capacity you think you can. I for one have been converted once again to our gorgeous Aussie film land.