Wednesday, February 1, 2012

Everybody's Talking About ... Red Dog


Yes, I know I'm behind the times in many ways on this blog and particularly with this movie but I was strictly instructed by my mother 2 months ago NOT to watch this movie until I was home for Christmas. There's a small tradition with my family in which we all get together and watch a film that none of the 6 of us have yet seen (a slightly impossible feat considering the number of movies this family watches). Most of the time this is just an empty threat and everyone in our family goes ahead and watches whatever the chosen film is in their own sweet time anyway but for some divine reason this year, Red Dog was left untouched by our wandering eyes.

Red Dog is a film I have been meaning to watch all year due to its unexpected home-grown box office success. Within 6 weeks, this little Aussie film had managed to acquire over $16m at the box office and to date, has raised $21m. To this day, there are only a select number of Australian films to have achieved such a feat including Moulin Rouge, Happy Feet, and Crocodile Dundee. But what was it about this little film and its canine star that riveted audiences across the country. Having now watched the films, these are my top 5 reasons as to how the filmmakers got it right:

1. The Outback
Crocodile Dundee. Wolf Creek. The Adventures of Priscilla, Queen of the Desert. Australia.
There is an undeniable link between these movies, all of whom have had considerable success around the world and in their home country, and that is their portrayal of this vast, great land. Whether its murderous psychopaths on long, barren roads, or flamboyant drag queens in Alice Springs; some would say that the most positively received Australian films are the ones that include some reference to our home country. Red Dog is no exception. In parts possibly overdoing it slightly, the film makes great use of highlighting the culture and lifestyles of the North Western communities of WA. Almost like a documentary, these places are depicted as remote, isolated areas of existence that only the brave would venture to. Like a patch of the Amazon, there is an untouchability effect to this country that all Australians understand. Red Dog respects this in both its visual and narrative depiction of the setting and I believe it is for this reason that Australia finally got off its arse and wandered to the theatre to support one of its own.

2. The Animals
Enough said. Every successful Aussie film almost always features cute, furry animals. Babe. Happy Feet. Even The Man From Snowy River. All star charismatic, courageous four-footed species that undoubtedly save the day. Red Dog's undeniably show-stealing star, Koko, embodies the right blend of animal and human qualities that pull and audience in. He's funny without trying to be; loyal without being clingy; respectful when it's right; and most importantly, not afraid to stand up for what he believes in. You're probably thinking how can one animal manage to pull this off but with the right facial expressions (yes, dogs do have them), and a few nifty camera angles, the message is pumped home. And most importantly, everyone knows that dog is man's best friend.

3. The Sob Story
Boy moves to town. Boy makes only friend in dog. Boy meets girl. Fall in love. Boy dies. Dog tries to find him. I could not believe how much that last part took up of the whole movie nor could I believe the profound effect it was having on not just me, but my family as well. For a solid 10 minutes of the entire 90 minute film, this poor mutt waits for his deceased owner to come home, then treks across the whole state to try and find him. Throw in a bit of hard-hitting storytelling from one of your miners impersonating said dog, and you've got tears galore. By weaving a series of beautifully shot vignettes of the WA landscape with a cleverly scripted voiceover, the filmmakers managed to draw tears from the eyes of my family and I that I had been deliberately trying to repress in the whole film (knowing full well that they were going to come at some point). There are many examples I can conjure of films that use The Sob Story to enhance the narrative but you've probably got a few in your head already. Needless to say, Dog+Dead Owner+ Visually Enhancing Montage=Audience hooked till the very end.

4. The International Relations
The thing that Australians hate the most I have realised is films that are "too-Australian." What I mean by that is films that look just a bit too closely at ourselves, pointing out our flaws (which we do naturally as a nation) and reminding us of how different we are from the rest of the world. We don't like that and would rather prefer to be held in the same light as any other country, particularly America (who we are still striving to become) and the UK (who we are desperately trying to separate ourselves from). Red Dog uses the mining community to promote a sense of "universality" within the film. This not only initiates an international link to the film for outside countries, but also means that Australian audiences don't feel so isolated in their thinking. What I mean by this is that if Australians feel their thoughts on a film are the same as what other countries would be, then they are ok about them. For some reason, we only feel validated within our own thoughts if the rest of the world agrees with them. That's the reason why we become so obsessed with the latest international craze rather than one of our own from Down Under. We like to think that other countries are interested in us. If not, then we are not interested in ourselves. Red Dog has used the internationally represented mining community of Dampier to better its chances of both international and Australian audiences developing a relationship with the narrative.

5. The Resemblance
Having seen many Australian films before in my lifetime and thoroughly enjoyed MOST of them (there have been some TERRIBLE creations from our crazy Ocker film nuts), the main trend I can see in Red Dog is the undeniable Aussie-ness upon the screen. I've spoken so far about what elements of this film have made it such a financially and emotionally attractive option down at Blockbuster but for all Australian films, I really do feel I can say its purely down to the fact that we have a unique style and we love to use it. Retro editing techniques, blends of mediums, a gorgeous soundtrack, coupled with even more gorgeous cast members, all combine to produce really effective, enjoyable Aussie films and Red Dog is no exception.

At the end of the day, I can talk as much as the next "professional" about Red Dog and how it became such a huge success but at the end of the day, no amount of analysing or philosophising is going to be able to assit future film producers in nailing that magic equation. We are a fickly bunch us Aussies and I think the number one think we don't like is being told what we do like. All credit goes to the producers of Red Dog for this special technique in not force-feeding us with a thousand reasons to go see this movie. Like the Yarra river, word-of-mouth slowly trickled around the country promoting this little beauty and in the end, the results spoke for themselves. Go see this film and enjoy it at whatever capacity you think you can. I for one have been converted once again to our gorgeous Aussie film land.

Everybody's Talking About...The Descendants

I am not a fan of George Clooney. I've said this once before and I'll stick by it, even if he wins every bloody Oscar the academy throw at him. I just find him to be one of those smarmy, too-grinny actors that you just want to punch in the face. At least that's my opinion.

There is one redeeming quality about him though and its his recent involvement in the Oscar nominated The Descendants. Directed and written by Alexander Payne (sharing the writing credits with Nat Faxon and Jim Rash), The Descendants follows the life of Matt King, a real estate agent in Hawaii whose fortunate family have allowed him to live a comfortable, stress-free existence for most of his life. That is until his wife, Elizabeth (played by Patricia Hastie), hits her head in a boating accident and falls into a coma. What follows is a humorous journey between a father, his two daughters, and a delinquent teenager, as they attempt to find out about their soon-to-be-late mother's extramarital lover (and inadvertently find out a lot more about themselves in the process).

I enjoyed this movie as much as I did not enjoy it. Acting, cinematography and editing were all a little subpar with a bizarre soundtrack which did not add much depth to the overall narrative. However, there was a subtle beauty in this film which I did enjoy, despite my brain's constant chanting of "We Hate Clooney! We Hate Clooney!" (yes, its a bad habit. Apologies). The writing in this film was exquisite. Faxon, Rash and Payne had all made plenty of effort to piece together the various elements of this family's story whilst interweaving an intricate web of the usual "6°of Separation" theory contrasted again the unusual, tropical paradise of Hawaii. Each individual character in this film was cleverly crafted into their own roles. Whilst Clooney took up A LOT of story time, his character was more of an emotionless canvas upon which our other colourful characters painted themselves. Shailene Woodley who plays Alexandra and Amara Miller who plays Scotty work brilliantly against Clooney's obvious discomfort with children so that we clearly see a family who don't know that much about eachother really but understand that above all, family does have a special bond, no matter what the circumstances in which they were brought together (I think many of us can agree with this statement). Another aspect to the screenplay which was cleverly conducted was the integration of the very Hawaii-nesqueness in which the story unfolds. Drama happens behind closed doors. Secrets unfold in major tsunamis and soft ripples. And everybody knows everybody, making the whole concept behind this family's difficult social situation that much more reactive.

I believe the Academy nominated The Descendants for both best adapted screenplay, director, and picture due to its poignant yet abnormal story that a lot of audience members will enjoy listening to. I do know also that Clooney's acting in this film was MUCH better than his recent adventures (Intolerable Cruelty anyone?) and his character for the first time was not so much George Clooney as it was more Matt King, a fact I could stomach much more easily with my popcorn and Diet Coke. I do think this film will do well at the Oscars but as for the Best Picture nod, I am waiting for a few more viewings before resting that decision on this film.

Thursday, January 26, 2012

Everybody's Talking About... The Oscars!!!


Its that time of the year ladies and gents. No, its not Christmas. Nor is it my birthday. Instead, it is the biggest celebration of what I feel is THE best artistic form in the world - The Academy Awards. Even just saying those 3 little words makes one feel all gooey and gorgeous inside.

Every year I look forward to this particular award ceremony. Yes, I know there are the Golden Globes, and the Emmy's, but it is something particular about celebrating cinema, in giving it the stage for just one small night, that make me really appreciate my medium. Not only that, but I really feel it sets the tone for where the industry chooses to take itself for the rest of the year. Consider last year's achievements with The Kings Speech and look at how many amazing biopics were released last year - My Week With Marilyn, The Iron Lady, J.Edgar... the list goes on. This year is no different BUT with so many interesting nominees what direction cinema will take itself this year is anyone's guess.

It is about this time I need to mention the announcement I posted to my followers earlier today on Twitter. Each year, I make a vow to try and watch every single nominee that is selected for Best Picture. I used to think this was a feat in itself when the number was 6. When they raised it to 10, I honestly thought I didn't have a chance in hell. Last year, I managed to see just one of the films nominated (True Grit). The year before that I managed four (Up, Avatar, Inglorious Bastards, and District 9) This year thankfully, there are only 9. How hard could it be, you say? Well, let me spell it out for you.

Of this year's nominee list (full list below), I have managed to see just ONE film - The Help - which I didn't pay too much attention too because I honestly did not think it was going to be so well received (the fact I didn't find it THAT good a movie also had something to do with it). Anyway, so I've seen 1 film. That's 146 minutes of my time. I HAVE 10 MORE LIKE THAT TO GO. So based on the law of averages (I have no idea what that actually means but it sounds fun), my mathematical equation for this particular discussion goes something like this:

146 minutes x 9 = 1314 minutes = 21.9... hours

So basically I need a full day dedicated to watching all 9 of these films. Not a problem you say. Get your laptop, the DVD's, enough food and water for a day and don't move. Easier said than done. For one, The Artist and Extremely Loud and Incredibly Close have not even reached Australian shores. And I know its almost blasphemous of me to say this but Moneyball, Midnight In Paris, War Horse, The Descendants, and Hugo are still in the cinemas and, well, I'm a little too poor right not to be forking out $18/movie. So for now that leaves me with The Tree of Life, a movie which I have to admit, has been on my radar for a while but, as with everything in life, my priorities got the better of me.

So here's the plan. I have 33 days to watch all 9 movies. I need 21.9 hours to do them. On average, based on the small income I earn per week, I can probably average 3 movies a week from now until the big day. As per usual, I shall be keeping you all updated with my various reviews which I promise, will try to be as unpersuasive as possible. You may be confused over my passion for this but my best response is, don't ask me why but rather, why not?